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I have no idea why you would use that bass for 80s songs. None at all.The neck originally came on an Ibanez DB700 (not my bass and not my pic). It is stamped "DB700" on the back of the head.
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It now resides on a parts bass I bought this way. I have never been able to determine the origin of the body. The pickups and circuit are 80s active EMG. It looks awesome on stage and sounds like a beefy Fender Duff (Jazz Bass Special). I bring it out for the end of the show sometimes when we do a few 80s songs. I want a new bridge for it but have never gotten around to it. It sounds ridiculously good with a pick.
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See that you do!!!I'll try to choose completely colourless thread titles in future.

Knowing that I would be happy with the feel of any of them
I have no idea why you would use that bass for 80s songs. None at all.
Anyway, that bridge looks pretty similar to the bridge on the 80s Ibby I just picked up, except black instead of chrome. Maybe it's an older Ibanez body?
See that you do!!!![]()
Because I've handled an SR300E, SR370E, SR400EQM, SR1300, SR1820, but more so the first and last along with a Squier CV 60's and 70's and also a Contemporary Active HH. All of those felt really good to me, but I did notice that the Contemporary was much heavier than the CV basses.How do you know that?
After seeing the following video, my concerns about "small hands" shouldn't be anything to worry about...If I had started on a P bass I'm not sure I would have stuck with it. I have smallish hands and started on an Ibanez for that reason. Similarly, I know people with big hands who find thin necks uncomfortable. So I don't think it's at all true that everyone who's happy with the feel of a P will be happy with the feel of an Ibanez—they're REALLY different. An experienced player can get by on whatever, but when you're new I think this kind of thing matters more.
I definitely hear the differences. This wasn't really anything about what someone has said specifically about the sound, it was more about me over thinking it a bit. But yes, I agree.Frankly I think it's more important that you like the feel of your first bass than it is that you nail any particular sound. It'll sound like a bass. TBers make a lot of noise about fine distinctions that most people who aren't bass players cannot hear (or do not care about) at all. If you do not like the feel of the bass it's going to be much harder to force yourself to practice, and there is nothing more important for a new player than getting hours of practice in. Finer points of bass tone are way less important at this point.
Covered in the first part of my reply.So while it's true that (obviously) you can't play yet, you can still go to a store and see how different basses feel in your hands. That's what really matters, especially when you're new.
After seeing the following video, my concerns about "small hands" shouldn't be anything to worry about...
My concerns were more about finger spread rather than getting around the neck. Not sure I'd ever go beyond a 4, but I guess it's probably too early to say.I'm not particularly large and I play 6s mainly.
Stretch, learn to move around the neck better or get a 5 and play the same 4 string based material in 5th position.My concerns were more about finger spread rather than getting around the neck.
Now that's a proper pink. Not keen on the pastel-y stuff often seen on pink basses.
No.I'll be learning more "basic" bass lines, most of which were probably originally recorded from a Precision bass.
So I just wondered if I should start with a Precision
Then, sadly, it's the wrong decision.I've made a decision and it's not pink.![]()
Because I've handled an SR300E, SR370E, SR400EQM, SR1300, SR1820, but more so the first and last along with a Squier CV 60's and 70's and also a Contemporary Active HH.
Oh. I wonder if it's still a vintage Ibby bridge...The neck pocket had to be rerouted for the neck so I don't think it is Ibanez. That's why there are no pocket stamps to help with clues.