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Playing to a fast kickdrum

Hi everyone. I have been wondering about something that you hopefully can help me shine a light on. In music where the drummer plays fast 16th notes on the kick, i usually see bassplayers lock in and play 16th notes as well, however sometimes i see someone play 8th notes to the 16th note kick.

Is there a specific reason for that? More groove, cleaner sound?

All the best!
 
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Hi everyone. I have been wondering about something that you hopefully can help me shine a light on. In music where the drummer plays fast 16th notes on the kick, i usually see bassplayers lock in and play 16th notes as well, however sometimes i see someone play 8th notes to the 16th note kick. Is there a specific reason for that? More groove, cleaner sound? All the best!
With out hearing the song hard to say why the bassists decided to go with 1/8 notes. On slow ballads where the drummer is using his brushes, I often just sound the root and let it ring until the next chord change. This tends to call attention to the lyric story being told. Works well with the prayer song in Praise music.

First "rule" we are to sound the root and lock with the drummer, second "rule" if the first rule is not working, do what the song needs. Sorry, beyond that I can not give specifics to why the bassists went with 1/8 notes.
 
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Hi everyone. I have been wondering about something that you hopefully can help me shine a light on. In music where the drummer plays fast 16th notes on the kick, i usually see bassplayers lock in and play 16th notes as well, however sometimes i see someone play 8th notes to the 16th note kick.

Is there a specific reason for that? More groove, cleaner sound?

All the best!

Welcome to TalkBass!!!!

For some answers to your question, check out some old Police songs. Their drummer, Stewart Copeland, is all over the place (in a good way) on some of their songs. Meanwhile, Sting is pedaling away, throwing in a lock here and there. It makes for some great tension in some of their songs.

But, as others have said, if you could post some specific examples of the bass not following along with a fast kick, we could be more helpful.
 
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also: sometimes the bass instrument is the "kick drum" --- so that the drum part gets more 'freedom'.

welcome to TB :thumbsup: :
- how long have been playing bass? new to it?
- what instrument are you playing right now?
- what music do you like these days?
 
Always playing the same tempo as the kick drum gets old really fast. Playing every other note works great a lot of the time - the drummer supplies the percussive part, we add a note to that.
 
Hi everyone. I have been wondering about something that you hopefully can help me shine a light on. In music where the drummer plays fast 16th notes on the kick, i usually see bassplayers lock in and play 16th notes as well, however sometimes i see someone play 8th notes to the 16th note kick.

Is there a specific reason for that? More groove, cleaner sound?

All the best!
Whatever works for you. You don't even have to hit it if you're mixed right. Hold a note out, and the drum will actually kick your bass.
 
I wouldn't rule out that a drummer plays 1/16ths, some drummers have double pedals.

But to your OP question I think there's a possibility of different levels of ability but I bet it is more likely to create a little space and maybe a more interesting or more recognizable rhythm. Every song/band/drummer/bassist is different.
Except me. I'm the same.
 
If we're talking about extended double kick or blast beat patterns, I play 1/8ths over 1/16ths kicks a lot at higher tempos. It does give a cleaner sound in context of the overall sound I go for, which has a good amount of pick attack - if I was tremolo picking the bass I'd have a lot of weird harmonics from the attack and not as much fundamental and supportive overtones. Locking up with specific parts here and there can be great for impact, but I tried it both ways on recordings years ago and preferred the half time approach for all of the extended sections I tried. I've done it that way ever since. Faster bass over parts like that works better with a rounder and less attack-oriented sound.
 
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