Practicing for originals gig is different for me

[retslock]

Been in cover bands forever, playing songs with predictable chord changes and rhythms that I've heard all my life.

First gig with an originals band is tomorrow night. Lots of esoteric changes and sections in each song. I have to invent the bass lines to fit the song, the vibe and the crowd. Been drilling on them all week. I must say it's a transition from cover band land. The songwriter is talented, but the structure of these tunes is idiosyncratic and pretty all over the map. Would welcome any advice.

I've been playing original songs for many years now and it requires thought. If the song is well written you can't just plonk along. You have to be constructive and creative but ALWAYS with the song in mind to do it justice.
Know the chords firstly - their available notes and arpeggios.
Many years ago I read an interview with Chuck Rainey that gave me an important understanding of how to approach creating your own original bass line. Think of it as another melody, a counter melody if you like, that compliments the main melody.
Where the main melody is busy keep the bass simple. Don't get in the way of what the singer is saying. Where the main melody is simple or has long notes you can insert more complex runs but always with the song in mind. Runs in between vocal phrases don't have to be super complex. Two or three notes can be very effective in that way. Construct runs not to show your chops but to keep the song alive and organic.

 

[Aussie Player]

Always remember Paul McCartneys' sage advice. "Play it simple and we can complicate it later if it needs it".

 

[fdeck]

I've played in a lot of bands with original material, or that "might as well be original" such as obscure big-band charts. Most of the bands that hire me are not playing high profile stage shows, so a tablet on stage with the charts isn't objectionable. Usually by the 2nd or 3rd time around, I'm playing the tunes from memory, but the charts are also where I have my rehearsal notes.

I think a "busy" arranger is like a "busy" musician. It can be a sign of experience or nervousness, or just a phase that we all went through at some point.

I do expect charts. That's an area where the composer could up their skills. It makes for better use of practice and rehearsal time. I also mention to bandleaders, that well organized charts are a form of band insurance, because you can deal with subs or personnel changes with a lot less turmoil. I've been the replacement bassist, and with charts, the band didn't have to cancel gigs or hold emergency rehearsals

 

[DCGuy]

UPDATE: There were some very good tips here, thanks, guys. The gig went great and it was really fun. I practiced quite a bit beforehand, which made all the difference.