TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
I'm impressed this thread hasn't been nixed by now!
Perhaps people are playing nice today after yesterday's bloodbath thread in "Band Management." It was like TB's version of the recent Texas biker shootout.
I did see a picture recently of Geddy's backstage area and he has a MIM signature model in his rack. So, that made me feel good.How many "pros" play Mexican basses? Even those who have signature Mexican basses don't usually play Mexican basses
I took the neck off of a Chris Aiken Squier and put it on my MIM P Bass, because it's a sweet neck, better than the MIM neck I replaced.Gosh all this craziness between MIM and MIA. I guess we can all crucify Matt Freeman for having a Squier signature bass then huh?
How many "pros" play Mexican basses? Even those who have signature Mexican basses don't usually play Mexican basses
Ben Shephard, Soundgarden
![]()
^^^100% pro gigworthy bass, and the bridge swap proves nothing, as many a purist would consider it a downgrade (no disrespect to high mass fans).
Esperanza Spalding plays her black Mexican fretless Jazz bass far more than she does her fretless Custom Shop Jaco signature bass. She has been touring with it on her last 2 tours including her current. She alternates between her Mexican Jazz and her custom luthier built 5 string . I haven't seen the Jaco CS in a while. You can check out her 2 Austin City Limits appearances on YouTube where she is featured playing that Mexican Jazz.
I've sat front row center in small theatre venues and witness her greatness on that Mexican Jazz for the last 2 tours. Trust me, it's the player , not the bass.
How many "pros" play Mexican basses? Even those who have signature Mexican basses don't usually play Mexican basses
I'm impressed this thread hasn't been nixed by now!
I just did a side by side comparison and there are significant differences, which IMO, are worth the $530 difference:
American: Asymetrical neck heel, compound-radius (9.5”-14”) & asymmetrical “C” profile
Deluxe: 9.5”-radius
American: 18-volt onboard preamp with active three-band EQ
Deluxe: 18-volt onboard preamp
American: Stealth A-string retainer
Deluxe: None
American: Hard Shell Case
Deluxe: Deluxe Gig Bag
American: Leather Strap, 10' Cable, Strap Locks
Deluxe: None
American: Bridge - Fender Hi-Mass with Chrome-Plated Brass Saddles
Deluxe: Bridge - Fender Hi-Mass with Chrome-Plated Zinc Saddles
American: Neck - Hand-Rubbed Oil Finish with Gloss Urethane Headstock Face
Deluxe: Neck - Satin Urethane
American: Nut - Bone
Deluxe: Nut - Synthetic Bone
American: Posiflex™; Graphite Neck Support Rods
Deluxe: Standard
These are the real differences
Where did THAT come from?
I don't recall anyone ever posting that here or saying it out loud. The race (or even gender) of the people who made any bass I have ever played never ever crossed my mind. I frankly don't care. I imagine most are just like me in that respect.
I left them out on purpose. No slight. I figured the extras mentioned would suffice! You are totally right about that case. When I pulled mine out of the cardboard/bubblewrap I was ear to ear smiles.Definitely worth the extra cost. But did you forget the tuners on the American? They're Fender's new tuners, and I have to say they're the best I've seen (and I've owned them all at one point or another).
The USA Dimension hardcase is pretty impressive, too. "Robust" is the word I'd use to describe it.
I have a MIM Stratocaster. It is a 50's surf green with the V neck. It is nicely made and when I did a side by side with my friend's real 57 Stratocaster, it's neck, headstock and body shapes (minus wear) were nearly the same. I mean within millimeters. Mine weighs about 9lbs. The real '57, about 5.5lbs. It is an enjoyable guitar to play. I've had it since '99.
All my Fenders are American made and I am happy with my decisions and I think I got my money's worth. YMMV. When it comes to resale though, USA models do return more money. Especially if you keep all the tags that originally came with it.
Cause dude, when I go around with my Ibanez Roadster and these guys turn their nose up at it because it's Japanese and it's just plain racist. You don't care who's making your bass? ok...
Yup, a good friend of mine (Leo Genovese - great guy, check him out at the village vanguard nyc tonight, tomorrow and sunday evening) is her boyfriend and we played some gigs last year in a few jazz clubs (west village, manhattan) and
edit/ damn cell phone, forget it/![]()