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Sgt Pepper and the Hofner

he used the Ric pretty much exclusively at that time, although he did not play bass on every song. There's dispute on whether he played on Fixing A Hole. Judging by the rather pedestrian bass line on that song my guess is that he did not.
 
he used the Ric pretty much exclusively at that time, although he did not play bass on every song. There's dispute on whether he played on Fixing A Hole. Judging by the rather pedestrian bass line on that song my guess is that he did not.

Disagree. That bass part fits the feel of the song perfectly, no doubt it's McCartney.
 
Anyone know if he broke out the Hofner on anything recorded after Pepper??

Sure. He broke it out again for the "Let It Be" sessions, their plan for the album was to "get back" to their roots/early recording style, so he broke out his Hofner.

Used it on a couple tunes on "Abbey Road", but the bass on that abum was mostly the Rickenbacker and two Fender Jazz Basses.
 
Sure. He broke it out again for the "Let It Be" sessions, their plan for the album was to "get back" to their roots/early recording style, so he broke out his Hofner.

Used it on a couple tunes on "Abbey Road", but the bass on that abum was mostly the Rickenbacker and two Fender Jazz Basses.

And I recently saw that he is using the Hofner on the video for "Revolution" although I don't know if he actually used it on the recording.
 
And I recently saw that he is using the Hofner on the video for "Revolution" although I don't know if he actually used it on the recording.

He often used the Hofner for "performing", even after he'd "retired" it from studio work, for example the videos for "Paperback Writer"/"Rain".
And of course the "Revolution" video was his 1st Hofner that he'd had refinished in a Fender-style sunburst, with new pickup mount installed. It was stolen soon after that video shoot, and never seen again.
 
Disagree. That bass part fits the feel of the song perfectly, no doubt it's McCartney.

+1 I don't think any of the others could have played that part, it's one of those jaunty old time music hall feels which are Paul's specialty. Bass on a rock tune with a lot of slop (like Helter Skelter) is one thing, but it takes time in the bass chair to get that bouncing swing locked in perfectly with the drums.
 

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