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Show your tidy pedalboard!

There's now an EQ-200 running a channel.ore BC-1X and a channel after BC-1X now and a nice Shure GLXD16+ sized hole on the board.

Overall though love this, especially with the patch bay.
 

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5.jpg


1. KORG Pitchblack X Tuner Buffer Mute
2. KEELEY BASSIST Compressor Chromalux 2K24
3. FTelettronica SUBOCTAVE Octaver Custom
4. FTelettronica SUBSTANCE Bass Overdrive Custom
5. aguilar TONE HAMMER Preamp D.I. V1

+ PEDALTRAIN Mini (discontinued)
+ CIOKS SOL Power Supply (9V/12V/15V/18V)
+ Custom Made 6 Inch Patch Cables
(MOGAMI 2319 wire and EMINENCE pancake type connectors)

TO BE CONTINUED... =>



May the Groove be with you.
 
View attachment 7396392

1. KORG Pitchblack X Tuner Buffer Mute
2. KEELEY BASSIST Compressor Chromalux 2K24
3. FTelettronica SUBOCTAVE Octaver Custom
4. FTelettronica SUBSTANCE Bass Overdrive Custom
5. aguilar TONE HAMMER Preamp D.I. V1

+ PEDALTRAIN Mini (discontinued)
+ CIOKS SOL Power Supply (9V/12V/15V/18V)
+ Custom Made 6 Inch Patch Cables
(MOGAMI 2319 wire and EMINENCE pancake type connectors)

TO BE CONTINUED... =>



May the Groove be with you.
The monochromatic palette and matching switch covers are pleasantly soothing
 
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All Keeley pedals:
Bassist Limiting Compressor
Super Cat (Phat) Mod OD
Fuzz Bender
Tri-Mod Chorus/Flange/Phase
Eccos Delay/Reverb/Looper

Also:
Emerson Custom Mini Pedalboard
Mogami pancake cables
Systrom power

This has been my board since late ‘23. I’m happy enough with how it came out to not feel the need to change anything. I probably could use a little more room on the sides for a better fit but this keeps me from eyeing up more pedals which is a win!
 

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Not trying to be a jerk, but can someone explain to me the fascination worship players have with the EHX Bass MicroSynth?
Modern contemporary worship music has trended toward using wide dynamic ranges and more of an atmosphere feeling. From light sections that build to huge moments. The bass microsynth helps create that wall of sound to really punctuate a song climax - sub octave + dry + square wave upper octave.

Another opportunity is that modern worship music guitar parts are not crunchy, but again more atmospheric layers. This creates a big void that the bass players can operate in. As a result, some of the most bass dirt I hear on songs these days is in worship music. Weird, huh?

As mentioned earlier, the Bethel church in Redding CA has some really talented writers and players and pioneered this heavy duty bass tone in worship music. You will find the "Bethel bass board" more or less replicated by many worship bassist. It was characterized by the Tone Hammer with AGS always on, a RAT pedal, and the Bass Microsynth. Usually a P bass or a J bass with front pickup solo'd.

I attached a pic of a rig I used a few weeks ago. The Tone Hammer and Bass Microsynth and P bass are there. I add the Strymon Brig for ambient sections and layer in some modulated delay, volume pedal swell, low notes. I have made several attempts to move on from the bass microsynth including the new MXR Bass Synth, but keep coming back to the BMS because it works so well for those couple of big moments.
 

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