Any talk of Sid seems to bring out this weird purse-clutching moral proselytising after a dozen posts or so.
I feel sorry for him as, hopefully, he would have been recognised as a kid with additional support needs and gave a bit more of an intervention if he was alive now. Plucking him off the street and telling him to go be Johnny Thunders onstage and off was about the worst thing that could have happened to him.
Not the only rockstar to be minimally musically gifted or to have murdered anybody (allegedly!) or himself, but a bit too British and a bit too much of an oik, so every thread needs bogged down with the same boring chat.
The point is, why fuss over him, and hold him in such esteem, when it was Matlock who did all the work? Where is
his tribute instrument? Even Dee Dee got one(and as I pointed out, the white P with black pickguard was what Syd was inspired to grab up). Mr. Colvin might have been yet another junkie mook, but he wrote a big chunk of The Ramones catalog, was far more street smart(if Syd ever was in the first place), and while being a classic example of root riding, possesed an amazing stamina, and drove it hard every night(one of which I experienced in ‘78, in their prime).
Sure, it was Lydon who was the focal point, but Sid was a punk rock Norton, tagging along, until he became the Pistol’s Stu Sutcliffe. Right, he was the embodiment of the punk ethos…just pick up an instrument and do it, like his brief drumming stint with Siouxie, but then what? The Banshees moved on. Even the Slits moved forward.
What exactly was it that established him as such an “icon”, besides the crash and burn bit, and the piss-take of “My Way”, which of course had a certain amount of irony? Shane McGowan was another Dead Pool bet after awhile, but at least he contributed something, and GG Allin, while a bit of a bozo himself, at least walked the walk, although he was a bit of a contrivance.