Hi people,
I mostly lurk and occasionally post but i could do with some direct input this time.
I've got a Ken Smith BSR B 5 string, maple neck, maple body, rosewood fingerboard, bolt on, 2 KS humbucking jazz pickups. It has a woody tone that has an even bass and low mid response, slightly scooped upper mids and average treble (not snarling but not muted). Beautifully expressive and defined.
I also have (workhorse til I purchased the above) a Geddy Lee with Model J's. I'm sure you all know about them. Deep, thick, mid rich with slight snarl. Sits great in a mix.
I want to meet somewhere in the middle with the Smith and my opinion is that pickups and electronics will hold the key. I am wanting to achieve a thicker quality to the woodiness of the Smith akin to the model J's without sacrificing it's clarity and definition.
I have to go passive, offboard eq is where it's at for me. Also the Smith has a blend whilst my GL I fitted a selector switch. Am I right in thinking that the output of my bass will 'increase' if a selector switch rather than a blend pot is responsible for pickup control? I think that's right but I'd rather ask.
Now the pickups... those of you thinking 'if you like Model J's, get something similar for the Ken Smith', that is somewhat my thinking.
Because of the housing size of the Smith and tight spacing (16mm) I'm thinking custom winds may be the only option.
If any of you have tried to achieve such a change or have any thoughts on anything regarding the above i.e. pickup choices, wiring etc (as it's still early stages) please chime in.
Mark
P.S. Also I'm contemplating (if it's going to be custom) getting dual coils or as close as I can get to them, so I can go between a thick humbucker sound and a (potentially humfree) single coil sound. Again, any thoughts or experiences would be much appreciated!
I mostly lurk and occasionally post but i could do with some direct input this time.
I've got a Ken Smith BSR B 5 string, maple neck, maple body, rosewood fingerboard, bolt on, 2 KS humbucking jazz pickups. It has a woody tone that has an even bass and low mid response, slightly scooped upper mids and average treble (not snarling but not muted). Beautifully expressive and defined.
I also have (workhorse til I purchased the above) a Geddy Lee with Model J's. I'm sure you all know about them. Deep, thick, mid rich with slight snarl. Sits great in a mix.
I want to meet somewhere in the middle with the Smith and my opinion is that pickups and electronics will hold the key. I am wanting to achieve a thicker quality to the woodiness of the Smith akin to the model J's without sacrificing it's clarity and definition.
I have to go passive, offboard eq is where it's at for me. Also the Smith has a blend whilst my GL I fitted a selector switch. Am I right in thinking that the output of my bass will 'increase' if a selector switch rather than a blend pot is responsible for pickup control? I think that's right but I'd rather ask.
Now the pickups... those of you thinking 'if you like Model J's, get something similar for the Ken Smith', that is somewhat my thinking.
Because of the housing size of the Smith and tight spacing (16mm) I'm thinking custom winds may be the only option.
If any of you have tried to achieve such a change or have any thoughts on anything regarding the above i.e. pickup choices, wiring etc (as it's still early stages) please chime in.
Mark
P.S. Also I'm contemplating (if it's going to be custom) getting dual coils or as close as I can get to them, so I can go between a thick humbucker sound and a (potentially humfree) single coil sound. Again, any thoughts or experiences would be much appreciated!