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Solid State vs Ampeg SVT

And if I may ask an opinion question. ..I'm still "fairly" new bass player, actually a drummer by trade. I've tried all the bass gear you can imagine. I've flirted with the idea of saying shag it while I'm still big enough and strong enough, and getting an SVT and an 8x10, or even a 410. QUESTION IS; Do I find a vintage rig and hope for the best or just go brand new, or new/used?
 
I have both a Tech 21 Sansamp RBI and two tube preamps an SVPCL and SVP-PRO. (all of these are preamps not the actual SVT with the power tubes but the preamp tube sections so I can't say when it comes to a tube power section) the Ampegs have a sound that you can't get from solid state creamy, smooth and crisp highs. That being said..... the Sansamp does a damn good job in replicating that sound...
Bottom line, try an SVT and see what you think.
 
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Go find someplace that has an SVT you can try. That will tell you everything you need to know or may be wondering about that amp.

And it's not just an SVT. Any of the truly iconic amps a such as: a Vox AC30, the Acoustic 360, Fender Twin or Bassman, Roland Jazz Chorus, Magnatone Stereo Twilighter, Ampeg B-15N, Marshall Super Lead, and so on all have their unique visceral impact when you play one live.

Ten minutes of real world exposure is worth a thousand forum posts that try to convey the experience of playing through any one of the legendary amps you've heard the names of.
 
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Solid state SVT? Pedals that sound like an SVT?

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Go find someplace that has an SVT you can try. That will tell you everything you need to know or may be wondering about that amp.

And it's not just an SVT. Any of the truly iconic amps a such as: a Vox AC30, the Acoustic 360, Fender Twin or Bassman, Roland Jazz Chorus, Magnatone Stereo Twilighter, Ampeg B-15N, Marshall Super Lead, and so on all have their unique visceral impact when you play one live.

Ten minutes of real world exposure is worth a thousand forum posts that try to convey the experience of playing through any one of the legendary amps you've heard the names of.

6a00d83451bc4a69e20148c782f74e970c-320wi.jpg
 
The all tube Ampeg SVT is and has always been the king of the amp jungle as far as I'm concerned. However, it's WAY too much amp and/or is impractical for a lot of players in which case a tube/solid state hybrid SVT3 Pro or an SVP CL/SVP Pro/SVT IIP preamp paired with a good solid state poweramp is plenty good'nuff if you want the Ampeg SVT sound, IMHO.

SVT too much? May I introduce it's extremely competent little brother. The V4b.
V-4B_Head_Front_Silver.jpg
 
SVT too much? May I introduce it's extremely competent little brother. The V4b.

Probably a far more practical choice for most of us who don't need the wattage and/or weight of an SVT. A V4B will give you all that Ampeg tube mojo for about half the number of dollars and pounds.

If I were choosing between the two today, I'd most likely be hauling out the plastic for a V4B.
 
Probably a far more practical choice for most of us who don't need the wattage and/or weight of an SVT. A V4B will give you all that Ampeg tube mojo for about half the number of dollars and pounds.

If I were choosing between the two today, I'd most likely be hauling out the plastic for a V4B.
Same.

And while they do sound similar, I think I actually like the sound of the V-4B a little more than the SVT.
 
It was a GK 800RB with a SansAmp RBI through an Ampeg 810E. To my ears it sounded pretty damn close.

The older GK 400/800RBs are my second favorite heads to use with my vintage Ampeg 810 (you can see mine in background). My favorite is, well, my '76SVT. Standing in front of this rig, turned up to a nice healthy volume, is something really special.

18156199_1410003815733163_2089480543494207965_o-2 (1).jpg
 
Any of the truly iconic amps a such as: a Vox AC30, the Acoustic 360, Fender Twin or Bassman, Roland Jazz Chorus, Magnatone Stereo Twilighter, Ampeg B-15N, Marshall Super Lead, and so on all have their unique visceral impact when you play one live.

This is such a great point. All things being equal, any of these are worth owning on some level.

For a number of years I played with a guy who used a VOX AC30 and a Roland JC120, had a switching pedal to go between them, or use both. His setup sounded fantastic. As our sound evolved he picked up a vintage Orange 212 combo (before they resurrected the brand), and he used the Orange and the AC30. A bit later the AC30 went when he picked up a Marshall 212 combo of some sort.

He always had the greatest of tones.
 
This is such a great point. All things being equal, any of these are worth owning on some level.

For a number of years I played with a guy who used a VOX AC30 and a Roland JC120, had a switching pedal to go between them, or use both. His setup sounded fantastic. As our sound evolved he picked up a vintage Orange 212 combo (before they resurrected the brand), and he used the Orange and the AC30. A bit later the AC30 went when he picked up a Marshall 212 combo of some sort.

He always had the greatest of tones.

The best sounding guitar amps I've ever heard were the non master volume Marshalls, AC-30's also had a pretty tone and actually the Rolands did too esopecially for a SS amp.