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Double Bass "Song" or "Tune"

tornadobass

Guest
Nov 20, 2000
1,741
113
I'm starting to learn "Blue Train" and am confused about something.

My Real Book shows the chords in C minor. When I listen to the 10-minute Coltrane recording, I hear E-flat major instead.

I guess this is a case of major key versus relative minor key.

Which way is the song commonly done? Did Coltrane record both a major key and minor key version? Or is my ear getting tricked somehow?
 
tornadobass said:
I'm starting to learn "Blue Train" and am confused about something.

My Real Book shows the chords in C minor. When I listen to the 10-minute Coltrane recording, I hear E-flat major instead.

I guess this is a case of major key versus relative minor key.

Which way is the song commonly done? Did Coltrane record both a major key and minor key version? Or is my ear getting tricked somehow?
Firstly, and pardon me but I'm A.R...It is not a song. Cole Porter, George Gershwin, and Jerome Kern wrote songs. You can tell a song right off the bat because it has words, which someone, usually a singer, is singing. John Coltrane, Bird, Monk, Wayne Shorter did not write songs. They wrote tunes, or compositions, or pieces. Many of them were similar in the length of their forms and internal structure to songs, but they are not songs. If a song is performed instrumentally, it is still a song, because it was originally composed as such. If someone takes an existing jazz tune and puts lyrics to it, I don't know what that is, but in many instances I find it little more than a novelty.

There. I've been meaning to get that off my chest. Now another thing that really frosts my banana is why they call that thing the Real Book when it should be called the Really Wrong Book Full Of Bad Changes, Incorrect Melodies And Rhythms, Missing Measures, Erroneous Titles, And Uncredited Composers.

You are correct. And you are smart for referencing the recording. The tune Blue Train is in Eb Major. It has been occasionally reharmonised by others, but that's another story. I don't know what they (people who wrote this chart) were thinking. Maybe they thought it was a minor blues because of the #9 sound on the I chord. Then they accidentally put the Eb part in there, which would put it in C minor, because the whole thing is in the wrong key - melody included. The correct changes for the head are Eb7#9 (4 bars), Ab13#11 (2bars), Eb 7#9 (2 bars), Bb7#9 (2 bars), and Eb7#9 (2 bars). The solos are just over Eb Major Blues.
 
Thanks for sorting out my challenges with the tune (and the concept of "tune" generally).

What confused me is that a local sax player told me it was a minor blues, but the recording wasn't. Same with a local bass player. They both must have learned it from the real book instead of from the recording.

One last confusion. Some sources call it Blue Train, while other call it Blue Trane. Which?
 
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tornadobass said:
Thanks for sorting out my challenges with the tune (and the concept of "tune" generally).

What confused me is that a local sax player told me it was a minor blues, but the recording wasn't. Same with a local bass player. They both must have learned it from the real book instead of from the recording.

One last confusion. Some sources call it Blue Train, while other call it Blue Trane. Which?

Blue Train.
 
T-Bal said:
Firstly, and pardon me but I'm A.R...It is not a song. Cole Porter, George Gershwin, and Jerome Kern wrote songs. You can tell a song right off the bat because it has words, which someone, usually a singer, is singing. John Coltrane, Bird, Monk, Wayne Shorter did not write songs. They wrote tunes, or compositions, or pieces. Many of them were similar in the length of their forms and internal structure to songs, but they are not songs. If a song is performed instrumentally, it is still a song, because it was originally composed as such. If someone takes an existing jazz tune and puts lyrics to it, I don't know what that is, but in many instances I find it little more than a novelty.

There. I've been meaning to get that off my chest. Now another thing that really frosts my banana is why they call that thing the Real Book when it should be called the Really Wrong Book Full Of Bad Changes, Incorrect Melodies And Rhythms, Missing Measures, Erroneous Titles, And Uncredited Composers.

You are correct. And you are smart for referencing the recording. The tune Blue Train is in Eb Major. It has been occasionally reharmonised by others, but that's another story. I don't know what they (people who wrote this chart) were thinking. Maybe they thought it was a minor blues because of the #9 sound on the I chord. Then they accidentally put the Eb part in there, which would put it in C minor, because the whole thing is in the wrong key - melody included. The correct changes for the head are Eb7#9 (4 bars), Ab13#11 (2bars), Eb 7#9 (2 bars), Bb7#9 (2 bars), and Eb7#9 (2 bars). The solos are just over Eb Major Blues.


So, when a i hear someone singing "Well, you needn't ." am i hearing a "tune" or a "song ?"
 
Don Zebrauskas said:
So, when a i hear someone singing "Well, you needn't ." am i hearing a "tune" or a "song ?"
Originally posted by Midol
If someone takes an existing jazz tune and puts lyrics to it, I don't know what that is, but in many instances I find it little more than a novelty.
Monk (AFAIK) did not compose songs. So I'd have to say you're hearing a Monk tune as lyricised by (whomever). But let's not get too picky, or else DONONYCHUS might come on and rip me a new one. :eek:

(Aside). How'd you change your username?
 
T-PAPER said:
(Aside). How'd you change your username?

Generally, you just post in a thread that FOGHORN is likely to reply to and then wait for the verdict. It helps if you say something that he is likely to disagree with.

Alternately, you can email or PM Paul (site admin) and request that your username be changed. He used to not do this, but he is especially accomodating when someone changes a "handle" to their actual given name, as he seems to feel that this promotes more honest "I stand behind what I say" posting - not that this is an issue in your case. I'd say go for it!


TEA BAG said:

:D
 
T-Bal said:
Firstly, and pardon me but I'm A.R...It is not a song. Cole Porter, George Gershwin, and Jerome Kern wrote songs. You can tell a song right off the bat because it has words, which someone, usually a singer, is singing. John Coltrane, Bird, Monk, Wayne Shorter did not write songs. They wrote tunes, or compositions, or pieces. Many of them were similar in the length of their forms and internal structure to songs, but they are not songs. If a song is performed instrumentally, it is still a song, because it was originally composed as such. If someone takes an existing jazz tune and puts lyrics to it, I don't know what that is, but in many instances I find it little more than a novelty.

There. I've been meaning to get that off my chest.
Can I hear an "Amen" ? Let me hear it, a BIG AMEN.
 
I agree - it particularly irritates me (although it probably shouldn't) when people around here, refer to classical pieces, as 'songs'....

I have often wondered if there was a clear distinction between song and tune... I must say though, it's not like it REALLY matters.. or is it? :rolleyes:

Well You Needn't - I heard this version (the song) performed by Jamie Cullum on TV before I heard the Monk tune... and I did wonder how/why/if Monk wrote such tacky rubbish lyrics to a cool jazz tune.
 
In British Isles (and possibly other) folk music circles, the concept of songs vs. tunes is still very distinct.

Traditionally, songs were always done acapella and tunes were instrumentals without words.

Anyway, when I play bass in folk groups if someone says "what TUNE do you want to do" it's assumed they mean an instrumental.
 
My experience is "tune" can cover more ground than "song" and they can indeed overlap. Musicians use "tune" all the time to refer to pieces with sung lyrics; I've never had any problem with that and have never heard a gripe about it among the many folks I've played with over the years. I use it that way myself all the time.

"Song", though, rings false to my ear when it's used to refer to a piece that has no singing of lyrics in it.
 
Damon Rondeau said:
My experience is "tune" can cover more ground than "song" and they can indeed overlap. Musicians use "tune" all the time to refer to pieces with sung lyrics; I've never had any problem with that and have never heard a gripe about it among the many folks I've played with over the years. I use it that way myself all the time.
The boundaries are fuzzy and not cut in stone, but I agree with T-Bag generally.

"Song", though, rings false to my ear when it's used to refer to a piece that has no singing of lyrics in it.
I wrote one. It's on the Sampler. It depends sometimes on the perspective. The hearer can regard it as a tune. But I know that I wrote it as a song, keeping in mind the words to describe my visualization.
Does 'Ruby, My Dear' have words? I hear it as a song.
Milt Jackson recorded a 'tune' that he considered "a song without words", titled 'Heartstrings'.
 
song n.

Music.

  • A brief composition written or adapted for singing.
  • The act or art of singing: broke into song.
  • A distinctive or characteristic sound made by an animal, such as a bird or an insect.

Poetry; verse.


  • A lyric poem or ballad.
tune n.

Music.


  • A melody, especially a simple and easily remembered one.
  • A song.
  • Correct pitch.
  • The state of being properly adjusted for pitch: a piano out of tune.
  • Agreement in pitch: play in tune with the piano.
  • Obsolete. A musical tone.
They look like synonyms to me.
 
T-Bal said:
Monk (AFAIK) did not compose songs. So I'd have to say you're hearing a Monk tune as lyricised by (whomever). But let's not get too picky, or else DONONYCHUS might come on and rip me a new one. :eek:

(Aside). How'd you change your username?


A lyricicised tune ??? That is FUNNY ! So, then, every pop tune ever written could be called the same thing !