4) Winding lengths... GHS "long scale" = 37.25" ball end to taper/silk. KS "long scale" = 38" ball end to taper/silk, except for the low B at 37".
Thank you - good catch.
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4) Winding lengths... GHS "long scale" = 37.25" ball end to taper/silk. KS "long scale" = 38" ball end to taper/silk, except for the low B at 37".
Thank you - good catch.
Just one more little detail... GHS PW - black silk only at tuner end; KS Compressor - purple silk at both ends.![]()
To be honest I'd forgotten about that. I only ever see the ball ends when I'm installing or removing strings, the rest of the time they're hidden inside the body of the bass.
Ken Smith has always insisted on putting silk at both ends "to protect your valuable hardware". But that would only apply to top-loading and not thru-body, wouldn't it?
I'm not even sure it would do much to protect my hardware on a top load. Where is that little strip of silk wrapped string going to sit? Probably between the end of the bridge and the saddles. Ideally you don't want silk on or beyond your bridge saddles anyway, right? So what's the point?
I've never tried the coppers only because I don't have an extra bass to put them on. Rotos are an acquired taste for many bassists. I used them for a decade because many of my influences used them.Labella white and copper white tapes are some of my favorite strings ever, but I don’t think they sound anything like the GHS PWs. Never tried the Rotos, but like daddarios, I find rotos too stiff.
Still trying to try Pressurewounds, and [MaxwellSmart] missed by that much [/MaxwellSmart]
Two friends just love their Pressurewounds. The recordings they share sound great. Have to try a set, have to try a set someday ...
Bit over two years ago, bought a short scale set of Pressuewounds in anticipation of the Nordy Cat bass' arrival. Installed GHS Balanced Nickels instead, and the unopened Pressurewounds went in the string larder.
Come time to change strings on the Cat, install Balanced Nickels again. These are the strings for this bass.
The new string zing reminds me that I really enjoy roundwounds. I wonder what a set of Pressurewounds will sound like on My 'Ray. Order a set of Pressurewounds and
absolutely unable to pull the 16 month-old EB Group IV flats off the instrument. It's an early 79 — I bought it just about this time of year 44 years ago! — that was played mostly with Rotosound SB 66, and Dean Markley Super Rounds. The Dean Markleys were great strings!
Learned here the bass came new with GHS Brite Flats. Bought a set just for the bass when it completed rehab a year and a half ago. Love the tone, not so big on the feel. Gave the Brite Flats three months. They became very playable down there below the 7th fret. The stickiness didn't ease off so much above the 12th fret because of less time spent up there.
Gave up the Brite Flats for some flat flats — all the while thinking about Bernard Edwards "back then".
Now the EB Group flats are broken in nicely. They sound beautiful to my ears. Do I really want to swap out these flats for strings I haven't tried? And the Bass Player Magic Eight Ball replies NO
And now I have two brand new packs of Pressurewounds, with no place to go. No place to go, that is, except to my two friends who play them. The short scale set goes on my friend's Cat bass, and the full scale set goes on my other friend's Jazz bass.
Both ladies inform me I need a new Jazz bass so I can try Pressurewounds![]()
Still trying to try Pressurewounds, and [MaxwellSmart] missed by that much [/MaxwellSmart]
Two friends just love their Pressurewounds. The recordings they share sound great. Have to try a set, have to try a set someday ...
Bit over two years ago, bought a short scale set of Pressuewounds in anticipation of the Nordy Cat bass' arrival. Installed GHS Balanced Nickels instead, and the unopened Pressurewounds went in the string larder.
Come time to change strings on the Cat, install Balanced Nickels again. These are the strings for this bass.
The new string zing reminds me that I really enjoy roundwounds. I wonder what a set of Pressurewounds will sound like on My 'Ray. Order a set of Pressurewounds and
absolutely unable to pull the 16 month-old EB Group IV flats off the instrument. It's an early 79 — I bought it just about this time of year 44 years ago! — that was played mostly with Rotosound SB 66, and Dean Markley Super Rounds. The Dean Markleys were great strings!
Learned here the bass came new with GHS Brite Flats. Bought a set just for the bass when it completed rehab a year and a half ago. Love the tone, not so big on the feel. Gave the Brite Flats three months. They became very playable down there below the 7th fret. The stickiness didn't ease off so much above the 12th fret because of less time spent up there.
Gave up the Brite Flats for some flat flats — all the while thinking about Bernard Edwards "back then".
Now the EB Group flats are broken in nicely. They sound beautiful to my ears. Do I really want to swap out these flats for strings I haven't tried? And the Bass Player Magic Eight Ball replies NO
And now I have two brand new packs of Pressurewounds, with no place to go. No place to go, that is, except to my two friends who play them. The short scale set goes on my friend's Cat bass, and the full scale set goes on my other friend's Jazz bass.
Both ladies inform me I need a new Jazz bass so I can try Pressurewounds![]()
Brite Flats sound great on My 'Ray. Just ran out of patience. Usually I give a set a minimum of eight months play to make a decision. Brite Flats lasted three months.
EB Group IV flats settled in too nicely to bin. "Middle of the road" flats might be accurate but sounds like a left-handed complimentThey do sit tonally (to my ear) in between Cobalt Flats and La Bellas. I imagine I hear a special sauce in the upper mids that compliments the StingRay.
Will be trying my friend's jazz bass with Pressurewounds soon enough. Open mind, and all that.
Something strange happened last night...but in a very good way. A pleasant surprise...
Now that I have my two Yamaha 5'ers dressed up with GHS Pressurewounds/Ken Smith Compressors, I decided I wanted something a little different in tonal flavor for my Jazz. It just so happened I had a brand new set of GHS Brite Flats (45-98) in my stock looking for a home, so I decided to give them another shot after three tries that didn't turn out too well in the past (once on J and twice on P). And what do you know... They sound great! And the biggest surprise for me is they FEEL great with only a hint of the stickiness I've complained about before. What happened? I have no idea, but I have a good feeling these BFs will stay on for a while.
Meanwhile, I have two sets of EB Group IV Flats on order, which should be arriving this week. They will go on my P. So, it will be an interesting comparison between these two sets of flats/semi-flats.
because



GHS are smoother, softer to touch, some bright tone.
Rotosound has a slight extra bright tone, they are less smooth.
I also tried the SIT Silencers a couple of months ago.
View attachment 5034186 Pressure wound side note:
I am using the same set of pressure wounds for must be 3 years now at least AND I have taken them off multiple times to use them on one of my other basses.
So for those who like a well broken in tone with longevity, I can give these the seal of approval! The peg ends look like crap, but there is no reason for me to change them.
Meanwhile, I have two sets of EB Group IV Flats on order, which should be arriving this week. They will go on my P. So, it will be an interesting comparison between these two sets of flats/semi-flats.

The package is the same color as the silks, like another company does![]()