If this situation is any indication, you're a work-arounder, not a fixer. A fixer would fix the actual problem: the truss rod.The world (or at least this bit of it) seems to divide into the fixers and the chuckers. I'm a fixer.
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If this situation is any indication, you're a work-arounder, not a fixer. A fixer would fix the actual problem: the truss rod.The world (or at least this bit of it) seems to divide into the fixers and the chuckers. I'm a fixer.
Did he take off the fingerboard to swap the truss rod? That might cost as much as buying a new bass, though.I have an Ibanez SR300DX, Korean-made, from 2000-ish. When I received it the truss rod was rusted and useless - my luthier gave up on it. The neck has too much bend in it and the action is very high. I've experimented with reducing tension by tuning down the strings which were on it when I got it (roundwound, red silk both ends, silver bobbins, feel 'normal') as the only way I can reduce the neck bend, and with C sharp/F sharp/B/E I can get a still-high but much more usable action. However the E string sounds strange and feels floppy and in any case I'd like to tune to standard EADG. I could just look for a replacement neck with a working truss rod, but I'd rather have a try at making what I have usable first.
I appreciate that this is all vague and guesswork-y, but can anyone here suggest a set of strings that would give me lower tension somewhere near to the tuned-down 'normal' set I've now got, but at standard pitch?
I have an Ibanez SR300DX, Korean-made, from 2000-ish. When I received it the truss rod was rusted and useless - my luthier gave up on it. The neck has too much bend in it and the action is very high. I've experimented with reducing tension by tuning down the strings which were on it when I got it (roundwound, red silk both ends, silver bobbins, feel 'normal') as the only way I can reduce the neck bend, and with C sharp/F sharp/B/E I can get a still-high but much more usable action. However the E string sounds strange and feels floppy and in any case I'd like to tune to standard EADG. I could just look for a replacement neck with a working truss rod, but I'd rather have a try at making what I have usable first.
I appreciate that this is all vague and guesswork-y, but can anyone here suggest a set of strings that would give me lower tension somewhere near to the tuned-down 'normal' set I've now got, but at standard pitch?
You can try the light set of GHS Booemers (40-55-75-95), which are only 140 lbs. in total tension. Or if you really want to go super light, you can always try the D'Addario XL Nickels EXL220BT (Balanced Tension, 40-55-70-95), which are 129.88 lbs.
try the super lite strings
That's fair, although I prefer the term 'pragmatist'. I used to repair fountain pens. You get used to having to work round the complete unavailability of spares other than from donor pens. I got it working - I'm happy. Maybe the next owner will get out the acetone/transmission fluid or replace the truss rod or the neck. It'll still be waiting, and AFAIK I haven't done any damage.If this situation is any indication, you're a work-arounder, not a fixer. A fixer would fix the actual problem: the truss rod.
This afternoon I played the Ibby, frozen truss rod and all, tuned to pitch with Swing Bass strings, and it sounded pretty good for a turd through my Rumble 100v3. No, it's not a permanent fix, but I've made something that was marginally usable into something I can use comfortably. That's enough for me.You are polishing a turd.
That's awesome! Keep playing with it and you'll make it work. I think there's still life left in it.That's fair, although I prefer the term 'pragmatist'. I used to repair fountain pens. You get used to having to work round the complete unavailability of spares other than from donor pens. I got it working - I'm happy. Maybe the next owner will get out the acetone/transmission fluid or replace the truss rod or the neck. It'll still be waiting, and AFAIK I haven't done any damage.
This afternoon I played the Ibby, frozen truss rod and all, tuned to pitch with Swing Bass strings, and it sounded pretty good for a turd through my Rumble 100v3. No, it's not a permanent fix, but I've made something that was marginally usable into something I can use comfortably. That's enough for me.
Here's my advice - get the TR working. I would stand the bass perfectly upright, so the TR access is at the top. Drop several drops of GOOD penetrating oil (Aero Kroil, PB Blaster - NOT WD-40) down onto the nut so that it will fill the nut and run down to the rod itself. Let it stand. Repeat for a few days in a row so the penetrant gets to the threaded area that is stuck. Let it do it's thing. Then - using a PROPER tool, attempt to move the nut. If it doesn't move repeat above process. Keep the following things in mind:
- A good penetrant WILL affect the wood, so you don't want to flood the neck with solvent. Just enough to wick down to the trouble spot.
- Access straight on to the nut with a good tool is paramount to success. If you are crooked going in or have a marginal tool you will strip the nut out for sure. At this point, I would use a proper long reach hex socket with proper drive extension similar to this:
82547 3/8" Drive Long Length Hex Bit Metric Socket 4mm - Gearwrench
You will have much better control with a tool like this. The headstock under the truss cover may need to be relieved a little bit for the tool to fit straight on, but the slight mod will be barely noticeable with the cover re-installed.
- My SR500 and my SR1300 have double acting truss rods, so heat would not help as the heat will have to travel quite a distance to the affected area. I do not know if your bass is equipped similarly but know before you apply heat if you are considering it per the above advice. At the same time a double acting rod will require the solvent to travel quite a distance so patience is key when using it.
I am an auto tech by trade. I have loosened alot worse fasteners than stuck truss nuts using solvent based release techniques. The chemicals mentioned above work extremely well. Until someone boogers the hex part of the nut, I consider it repairable using the above method. Your luthier may have 'given up' because understandably there is little reward (compensation) for him to play with this frozen truss for hours on a $300 bass while absorbing the risk of further damaging it and the liability associated with the collateral damage. His decision is right from a professional standpoint but is not necessarily the final word for repairing the neck. For less than the cost of 1 pack of strings you can fix the neck yourself.
It's about not throwing away stuff that's still usable. If lighter strings will make a bass usable, why not do it?
Sounds like you are throwing good money after bad.
Assuming what you have on is a 45-65-85-105 set, the Rotosound FM66 (Funkmaster 66, Mark King's sort-of signature set), which are 30-50-70-90, would give you the equivalent of tuning the old set to C#.
There's even a lighter set, the RS66LA (Swing Bass 66 Extra Light); well, the treble half is the same, but it has a 065 and a 085 for A and E respectively.
SRV's guitar strings were almost that heavy!
But that's about the tension of a normal set (say 40-100) when tuned to C#, which was the reference given by the OP (the tuning at which the normal-gauge set it wore kept the neck at a decent curvature).Fyi... The RS66LA set is only 103.99 lbs. in total tension, quite a bit lighter than most "light" and even "extra light" sets.
I put the RS66LAs on before I saw this, but it validates my observation that the action was fine with these lighter strings. Nice to have some numbers to support my qualitative result - thanks.But that's about the tension of a normal set (say 40-100) when tuned to C#, which was the reference given by the OP (the tuning at which the normal-gauge set it wore kept the neck at a decent curvature).
Hence my not recommending even TI Jazz Rounds: still too...heavy, in this specific case.