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Studio question

Tomorrow, I'm heading into a real studio for the first time. I'm planning to run a line from my bass to a DI box to the board, but am not sure what might be the best idea for my effects. I've read in one of the stickies that effects should be run through an amp and miced. What's the consensus on this?

Also, how much does the quality of DI box matter? I recorded our other tracks with a cheap unit, and I'm happy with the bass sound. They're here: Link Removed
 
I like to record my bass direct and any good studio should have several DIs that you can try, but for a novice my advice is to go along with the engineer's preferrence. Look at each studio session not only as a chance to record but also to learn about studios, the process and sound in general.
As far as effects go it all depends on whether or not your amp is a major part of your "tone" or not. When you get into amping up in the studio you are looking at a lot more time and trouble, where to set up, which mic to use, how to mic the cab then what signal chain, compression, limiting, reverb on and on and on.
For all those reasons my sounds & effects are designed to record direct and my live amp is simply a way to get those sounds louder.
DI quality does make a difference especially when you solo the bass thru studio monitors but that quality is mostly lost when you add the other instruments in the mix. I generally use my own trusty old Countryman Type 85 or whatever the preference is at the studio. My effects are at line level so they can go thru a DI or right into the board. There is a growing popularity to run bass thru higher end mic preamps especially tube preamps and those do add a nice quality to your tone. I have played thru some of the higher end mic pres (Avalon, Millenia and Manley) and they are all wonderful. But in more than one occasion those tracks were not used in the final mix over the track recorded with the Type 85 was used because it sat better in the track. But here you start taking things to another level that never ends.
What you really want to worry about is for your bass to be in tip top shape, and that you are ready to record great bass lines.
 
good advice from bassbrad. i'd also suggest that even though you are a studio novice make sure you are happy with the tone, however you get it. if you take advice from the engineer that is great. but ultimately you are the one playing and if you aren't happy with the tone you aren't going to give the best performance. good luck and have fun man!
 
bassbrad said:
...but for a novice my advice is to go along with the engineer's preferrence.

+1 to that. For a first time, the best thing you can do is be openminded to what the engineer has in mind. If you have a surplus of recording time (and money), you can certainly ask him to try alternate methods, and then pick the best at the end.

IMHO, using effects into a DI sounds no better or worse than mic'ing, just different. I have had great success with all manner of effects into my DI (Avalon U5), even distortion (hooray Line 6). The only thing you likely won't get from a DI is feedback, lol.

Be prepared to DI: Mic'ing cabs certainly takes longer than setting up a DI, and DIs are fairly foolproof these days where is mic'ing can be tricky, PLUS there are no bleed issues to deal with, so many engineers prefer DI in most situations (I do).

But no matter what happens, enjoy yourself!

Good luck!
 
I would go with a passive DI and try a claen and colored mic pre off the bat, Avalon vs Chandler lets say just so you get a feel for the differences

Effects to me sound better through the amp, thats the way you crate your sound, if you can mic a small speaker 10" or an 8" that wouldbe nivce to work into the mix.

If you tell the engineer what yo want and they understand your band's sound, they should be able to fill in the gaps, its all about communication.