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Suggestions On New Equipment

I'm currently looking to overhaul EVERYTHING. I'm starting 2 new projects simulatneously and want one rig (and bass) that is versatile to handle both.I'll be doing weddings with one project and clubs with another (playing mainly rock and dance).Portability is an important factor. So far I'm thinking of a Markbass Head,Ampeg 4x10 cab and a Warwick Corvette 5 String.
Can anyone offer suggestions?
 
I have Ampeg 410's and the hlf's are great with a good head. I looked at the Acme bass cabs and they seem like they might be worth it. I called up the owner of the company and he didn't try to sell me anything but did say that his products might help me to downsize.....from the 810E.....check out their site if you want:

www.acmebass.com
 
A different approch to suggest;

I do lots of corpo stuff and I ended up with some active monitors & a preamp.
Very practical for various reasons ;
- A good one will sound flatter than any bass amp around.
- Those sold today have a weight/size/power ratio unmatched in bass amps world.
-You can also use it for your vocals and the rest of your mix.
-On smaller footprint gigs , less stuff ontage.
-Placing it in front of you helps the FOH sound , and makes a cleaner stage.

I also use IEM a lot but if I bring my RCF or my Mackie , I mix the signal coming from the board with my preamp.
So I have control over that part.
 
I use Markbass cabs strictly for their portability. They are some of the lightest cabs you can get. If you really want to be portable and it's a rig you're setting up and tearing down often, you might look into it.

Don't discount using something like a Line6 Pod X3 Live for a preamp. You can run it straight to the board, or run it to a power amp + speakers and get a *lot* of tone variation. It's like carrying around a ton of different amps in a gig bag.

You might also consider going with two 2x10s instead of one 4x10, again for portability and so you can match your rig to the gig.
 
I've got an ampeg 4x10 cabinet that I ran with an ampeg head......I bought a combo amp because I got tired of dragging [DEL]that[/DEL] those lead weight(s) around. Plus honestly the 4x10 wasn't doing the B string justice *at all*.

After hunting around and playing through a bunch of stuff, my old teacher called and had a friend who was selling his Fender Bassman 1x15. When I called the guy and found out he played a 5 also I headed straight over. Bought it and I *love* that puppy. It's not the one they currently sell (it's about 5 years old) but I imagine the current ones are pretty close in terms of sound? I can pick it up and put it in my front seat without killing myself (it's still pretty heavy at I think 65 lbs...but much lighter than a head and a 4x10!!). I can hit the B and it holds its own- even tuned down, it's actually audible. Had I found that first, I wouldn't have gotten the ampeg. I've played in blues, rock, funky, acoustic, reggae groups/gigs with the combo and no problems. Played outdoor gigs with it, indoor, "stuffed in a corner", so far so good. Caveat though, you do have to have be able to play with a little volume or the tone loses the highs-so if you're playing a lot of acoustic dinner sets you may want a smaller one (but then the B loses out).

It might be the ampeg head but the 1x15 projects and fills better than the 4x10 ever did. Being a combo, I don't have to keep track of two parts (and two cables) to set up the rig. If I were you, I'd go looking into a 1x15 combo. If you're playing a huge gig, you're probably going to DI into a PA system anyway and then you use the combo as your stage monitor. The 5 string does make a diff on which speakers to get, like I said the 4x10 just lost the B string in my experience.
 
Ok, so I just got back from trying a little mark III with their 2x10 cab and my modulus 5's. What I'm hoping for is to use this set up for the smaller gigs and add an existing 2x10 that I have ( an ampeg) for the bigger gigs. When I cranked the amp, the signal seemed to clip out on me. I don't think it could handle the signal at that level. Also, the speakers look like they're gonna blow with the very next note I play.To make sure it wasn't my bass, I picked up one in the store, a Stingray 5. Same thing happened, plus BIG mistake, cause now I want that bass :(
Any feedback/experiences with the MarkBass equip?
 
I did the same thing you did, went to GC and checked out the markbass stuff because it was nice and small. I had the same experience where nothing Markbass GC had could handle a 5 at any kind of volume. GC had just gotten the new shipment in so it wasn't like the demo's had been abused. I sent a audiophile guitarist friend of mine in to check it to see if it was me. He called me and said ferget it, they won't work for you. He had the same experience. He even had GC get new cables, try in a different outlet, etc to eliminate bad cabling as a culprit. Had a second friend try it with a 5er, same thing. I kept looking.......