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Sushi Box More

cuth

Supporting Member
Dec 19, 2004
410
1,254
Massachusetts
Came home from a gig and found this on my doorstep. It’s my first Sushi Box pedal. Anyone else using one of these? I’m thinking end of chain boost? How are you using it?
IMG_1236.jpeg
 
To distill that huge thread down somewhat, the most popular application seems to be at/near the end of the signal chain, but plenty of folks are using it near the beginning, too. Some even have one at the start, *and* one at the end! As the Sushi Chef himself, Nathan, has said on the thread, it simply takes whatever signal it is receiving, and just gives you "More" of it. I only have the Underground Accelerator, not the More, but my feeling is that it'd be best at the end of the chain, rather than at the beginning as a signal booster or something along those lines.

That said, it'll surely sound great anywhere in the chain!
 
Thanks. this is very helpful.
My two other end of chain boost pedals alternate between an RC Bass Booster and a Sex Drive. Looking forward to seeing how this compares.

To distill that huge thread down somewhat, the most popular application seems to be at/near the end of the signal chain, but plenty of folks are using it near the beginning, too. Some even have one at the start, *and* one at the end! As the Sushi Chef himself, Nathan, has said on the thread, it simply takes whatever signal it is receiving, and just gives you "More" of it. I only have the Underground Accelerator, not the More, but my feeling is that it'd be best at the end of the chain, rather than at the beginning as a signal booster or something along those lines.

That said, it'll surely sound great anywhere in the chain!
 
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I have the deep dish. The more is just the preamp from the deep dish without the compression

I use mine at the beginning of my chain because it takes magnetic and piezo pickups well

Also the beginning just makes sense if i choose to turn the compression up
 
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I've never used this specific pedal but GENERALLY I like having a tube preamp pedal set near the edge of distortion (or maybe a tiny bit past) in front of any compressors in the signal chain. The reason I do this is to smoothen the transients a bit, which prevents the compressors from overshooting when I'm digging in hard. This usually gives me a much smoother compression. I can usually get away with FAR less gain reduction from the compressors and still get what I want dynamically. Of course I keep the tube pre at unity gain to avoid any gain staging issues downstream. I'm not sure this will be possible when pushing a one-knob tube pedal like this one to the edge of distortion (or if it's even meant to be used that way)?

If you're using it for a signal boost it would probably be better to use it at the end of your signal chain, to avoid gain staging issues with other pedals.

But there is no correct answer here. Do whatever works best for whatever YOU are trying to achieve.
 
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I've never used this specific pedal but GENERALLY I like having a tube preamp pedal set near the edge of distortion (or maybe a tiny bit past) in front of any compressors in the signal chain. The reason I do this is to smoothen the transients a bit, which prevents the compressors from overshooting when I'm digging in hard. This usually gives me a much smoother compression. I can usually get away with FAR less gain reduction from the compressors and still get what I want dynamically. Of course I keep the tube pre at unity gain to avoid any gain staging issues downstream. I'm not sure this will be possible when pushing a one-knob tube pedal like this one to the edge of distortion (or if it's even meant to be used that way)?

If you're using it for a signal boost it would probably be better to use it at the end of your signal chain, to avoid gain staging issues with other pedals.

But there is no correct answer here. Do whatever works best for whatever YOU are trying to achieve.
More is completely clean. It’s like an Effectrode LA-1A with the compressor turned fully off.
 

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