I've done some more playing around with the EQ section on the RH450, and it continues to impress me.
The recent BassGearMagazine review shows the semi-parametric settings for a scoped flat response -- it's a long way away from "all the knobs nooned". I used this as a starting point and plugged in my Fishman Plat-pre to get a feel for how the EQ might be adjusted from there to get the sound I was after -- in this case, as close to an unplugged tone as possible in my practice room. My cabinet (BFM Jack 12) is best described as "mid forward", and this was borne out by the huge cuts I made in the mid frequencies -- most from the low mids, a little less from the mid-mids, and just a little from the high-mids, with slight boosts in the lows and treble. Marcus Miller, eat your heart out!
I was able to reproduce this very nicely plugged directly from the Soundclip into the RH450. What is also nice about it, is that the inherent voicing of the head (vintage tubey vibe) seems to add back much of what the pickup sucks out of the tone; a good deal of the "earth" and "woodiness", if you like.
In louder live settings, I will no doubt need to reduce the depth of the mid cuts somewhat if I'm to be heard, but it's a good place from which to start.
With all the furore surrounding this head (on the other side) since the power specifications were shown to be significantly massaged, I was keen to give my F1 another go and was really plumping for it. However, it couldn't touch the TCE head for tone or volume, is comparatively noisy, and has none of the extra features (the most useful in this case being the very accurate chromatic tuner).
Anyhow, I thought this might be of use to someone who may be considering this amp. In summary, it has a very powerful EQ, and for me at least, the "colour" it imparts is a positive feature.