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That old question: Sadowsky J/J or P/J?

O.K., I am looking for a new 4-string bass.

I have...

- a Sadowsky NYC RV 5 (and am really pleased with it),
- a Warmoth 4-string Jazz (that sounds great but is very very heavy),
- a MIJ 62RI Jazz that I like a lot, strung with flatwounds ...

... but I think that I'd like to add one more bass to the herd. I came to the conclusion that it will be one more Sadowsky, so recommending Laklands or other brands wouldn't help me...

My dilemma is: I think that I covered the variety of Jazz sounds pretty well - with two passive Jazzes and a Sadowsky 5-string Jazz.

So I think about ordering a Sadowsky P/J. I play blues, rock, and I'm already starting to learn some jazz tunes.

Will the P/J be a completely different beast? Will it add just the right amount of variety?
How much of a difference will there really be between the sound of the J and P neck pickups soloed? How about the difference using both pickups?

So, what would you do, and why? Would you get a Sadowsky 4-string J/J or a P/J???
It *will* be a 4-string, and it *will* be a Sadowsky... but I simply have a hard time decinding on the pickup configuration.

Ah: And for reasons I don't understand myself, I seem to not like the idea of universal routes...

I appreciate your help and suggestions!!!
 
O.K., I am looking for a new 4-string bass.

I have...

- a Sadowsky NYC RV 5 (and am really pleased with it),
- a Warmoth 4-string Jazz (that sounds great but is very very heavy),
- a MIJ 62RI Jazz that I like a lot, strung with flatwounds ...

... but I think that I'd like to add one more bass to the herd. I came to the conclusion that it will be one more Sadowsky, so recommending Laklands or other brands wouldn't help me...

My dilemma is: I think that I covered the variety of Jazz sounds pretty well - with two passive Jazzes and a Sadowsky 5-string Jazz.

So I think about ordering a Sadowsky P/J. I play blues, rock, and I'm already starting to learn some jazz tunes.

Will the P/J be a completely different beast? Will it add just the right amount of variety?
How much of a difference will there really be between the sound of the J and P neck pickups soloed? How about the difference using both pickups?

So, what would you do, and why? Would you get a Sadowsky 4-string J/J or a P/J???
It *will* be a 4-string, and it *will* be a Sadowsky... but I simply have a hard time decinding on the pickup configuration.

Ah: And for reasons I don't understand myself, I seem to not like the idea of universal routes...

I appreciate your help and suggestions!!!

Ya know, if I was in your situation, I'd probably for for the P/J and I'll tell ya why.

A few years ago, I finally invested in a fender Jazz bass and absolutly feel in love with it. I had my standard jazz tone covered.

So at that time I owned the Warwick, a very modern sounding instrument and the jazz bass. Looking into a new bass, I wanted the most versitile instrument I could get, so I decided on a Mike Lull PJ-5 with the J in the 70's position. I love it, totally covers the P tone which I did not have, but can have that jazz tone I so love.

So since I was in a similar situation, I'd go with the PJ. :)
 
Get a Sadowsky P/J, and then get it routed for reverse P and J in the neck position. You can only get a P/J routed this way, not a J/J. Then, with 3 pickguards, and 2 neck pickups, you can choose whatever configuration you want.

+1. Similar situation here.

I have an NYC PJ with a dual rout:

IMG_0391.jpg


Here it is as a J/J. Note that the pickguard is bigger than one on a regular J, as to cover the rout for the P:

IMG_0387.jpg


That's the only pic I have of it as a J/J, because I pretty much keep it in the P/J position:

IMG_0780.jpg



Best of both worlds as a PJ, IMO. I can cover a LOT of sonic ground with the P/J configuration. The band I'm in plays a wildly diverse set of music so that comes in mighty handy.

It only takes about 10 minutes to make the change. Most of that time is taking off a couple strings and unscrewing/screwing in the pickguard. There is an extra PG in my case and the J pickup with a quick connect.

I'll probably convert it back to a J/J someday out of curiosity, but I'll probably swap it right back to the P/J.
 
This is my PJ, also routed for JJ config:

A fantastic instrument. The dual pickup route has an upcharge, but if you want to have a very versatile instrument it's worth the cost.

I don't have access to my computer now, but I'll post back on monday with some audio samplers of this bass and also a JJ with single coils.

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My dilemma is: I think that I covered the variety of Jazz sounds pretty well - with two passive Jazzes and a Sadowsky 5-string Jazz.

1. Will the P/J be a completely different beast? Will it add just the right amount of variety?

2. How much of a difference will there really be between the sound of the J and P neck pickups soloed? How about the difference using both pickups?

3.So, what would you do, and why? Would you get a Sadowsky 4-string J/J or a P/J???

1. YES.

2. Alot. Alot.

3. I did. I have four Sadowsky 4 string basses. The PJ is the shiznet and sounds very (not subtly) different from my two Sadowsky J basses and Modern 4.


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P1000596.jpg
 
HI

You already have the jj thing covered. No sense in doing a Sadowsky with the conversion. Get yourself a metro PJ hybrid. Mine is completely killer!! In fact, the twin of my bass is for sale in the classified right now. Too cool!!

Rob
 
Metro PJ basses are the best sounding and most versitile basses on the market IMO. I have 3 JJ Sadowskys and wish I had a PJ.

Anyways, dual route? You learn something every day! I have NEVER seen that! I bet a lot of people will be ripping apart their 2nd hand Sadowskys to check! My NYC doesn't have a pickguard, so I think it is safe to say it isn't a dual route!