TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
True. And really, it's all about you and how you play, not the gear you use. But in the grand scheme of things, it's not so bad lugging around a big DI. Now lugging a big DI, an SVT, an 810, and an upright...I've tried to like the BDDI but I just don't get a sound I like.
Love the Avalon but just hate the thought of dragging it around.
The REDDI is certainly a favorite around here but it, too, is large and expensive.
But in the grand scheme of things, it's not so bad lugging around a big DI.
They might. People certainly notice the difference between a $500 stereo and the sound in the control room at Abbey RoadThis is true. I am a bit obsessed about keeping my load in/out as small, light and one trip-able as possible but I suppose I shouldn't do it to the detriment of my sound.
Then again, will anyone really hear the difference between an Avalon U5 and a Radial JDI at church or when I'm doing background jazz at some restaurant?
Then again, will anyone really hear the difference between an Avalon U5 and a Radial JDI at church or when I'm doing background jazz at some restaurant?
Konigstiger22 said:Paradriver or Countryman 85 for me
Paradriver or Countryman 85 for me

Try a REDDI with IEM's, a mic'd b15 is exactly what comes to mind. Also, I couldn't agree more with Jimmy about the higher notes. I've used a Countryman, a JDI, a Cable Factory, (my favorite passive DI ever) and none of them sound as thick as the REDDI with IEM's. The notes are not boomy, but instead have a slight girth to them which sound like a well mic'd 15.
It's a lot more apparent when you speaker level DI the B-15 and run it dead clean instead of running it through a 15" that cuts sub lows and everything past 4k. If you took a B-15 and set it with the REDDI's EQ and run it direct into the board, I think you'd totally hear the similarity. The REDDI's a little quieter than my B-15, but other than that, I'd be hard pressed to tell the difference if both are set equal.+1..
I did try the Evil Twin too.. A buddy of mine has a studio with his Evil Twin and the REDDI... I also brought my REDDI along..
The two REDDI's sounded identical..
The Evil Twin was also Very good... BUT we wound up using the REDDI.. Less Knobs, less tweaking and fiddling around... The REDDI just has great tone right out of the box.. No knob twisting ect.
He also has two SVTs and an old B15... ( one of the old svts were mine)
We mic'd the B15 with a Neuman 87and RE20.. I still dont understand the REDDI = B15 thing that people talk about..It sounds different to me.. But , that's OK...
What the soundman wants for my sound is pretty low on my priority list. I want MY sound, and I can't say the soundman's opinion enters into it. But I can't say I ever got any resistance from a soundman for wanting to use a Sansamp back when I was using one, and I've done quite a few things that have gotten resistance from soundmen.I use my Sansamp B.D.D.I. but most professional sound people prefer to take a clean signal so I also have Radial J48 with me in my gear just in case. I second the suggestion on the Radials. Countryman D.I. boxes are something I would also recommend. The Radials and Countryman boxes are the industry standard and you won't get that concerned look from the sound crew when you point at your Sansamp or other Preamp/DI box.
Those have been few and far between; if I ask nice and bat my eyes just right, I generally get waht I want.