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the big -unlimited posts- party - show your basses!

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Cool Basses Henry!!

Especially those St. Blues Bluesking's, they have that Steve Harris vibe to them, I bet they sound amazing.


I know it is a little late, but congrats on the "Working Stiffs" Article in BP... truly the real meaning of a solid working professional.

Good Job man.

Jairaj
 
Thank you so much for the kudo's J, I haven't been around to much lately but I'm slowly getting back into the swing of things. :)
Those St Blues are killer basses, I alway's say they are the bassworlds best kept secret and can still be had for around 5-700 bucks, I have owned the sunburst one since it was bran new in 82, I sold Rics, Fenders, T-Birds you name it but that bass has alwyas stayed with me. There is just something about it and the Tone is to DIE for.
The black one I just got from Zoomboy and it's quickly becomming my main playa.
Thanks for the complimet brutha, I'll see ya round the site.
 
Peavey Cirrus 6 string
Conklin GT-7 7 string
-Luke

2004_0325Image0002.jpg
 
I just got a 1986 Carvin V440T off eBay.

Maple set neck, maple body, ebony fretboard, mother of pearl inlays, brass nut, Kahler bass tremolo, passive electronics with M22B humbucking p'ups, two coil splitters, pickup selector, two volumes and tone, black with black chrome hardware. I added Dunlop Straploks as soon as I got it.

Yeah, I had a hair-band flashback.

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It's almost identical to my first bass which was an '87 V440T, black with chrome hardware. I've regretted selling it almost since the day I gave it up. Always wanted to replace it.
 
I'm pretty happy overall with my current collection, but I probably spend the most time playing either my MTD, Cirrus, Roscoe, Zon fretted, and Lakland. Other than that, I love the Geddy J and the '83 P, but they don't get as much air time. The Ibanez is just a beater bass for beer throwin' frat gigs, and the Martin ABG is for occasional gatherings in the living room with good friends.

http://www.serbe.com/gear/index.htm#basses
 
christle said:
Out of those four, vic, I think the MTD is my favourite.

Cool, thx. Yeah, I think I like the MTD a bit better, too. Main thing about the MTD's (broken record here) is their unbelievable clarity and usability of the EQ. If you ever get the chance, and haven't yet, check one out! They're very unique and versatile at the same time.
 
Saorex said:
One thing is sure, if play some metal like Children of Bodom, you won't be able to reach the lower notes except if your E string has the wonderful ability to be tuned down to B!
True which is why i think 5 strings are fine... but 6 strings? I dont like. I find 6 strings to be lazy-inducing. I know this topic has been discussed to death, but out of all people who own a 6 string, how many use the extra 5 or so notes it opens up, up high? Im sure its handy for keeping your hand still in runs and stuff, but i tihnk anything that high is guitar territory.
 
1x kubicki Ex-Factor (Early Fender Custom Shop)

And i want to get a pre-fender Ex-Factor and a Factor (34" scale without string extender)
The ex factors a great, with the string extender it prevents me from having to buy a 5 string

G.A.S
1x Alembic Series II Triple Omega (JPJ Style)
1x MM Stingray
1x Bootsy's Space Bass :D (not the washburn!)
and one of the Fender Jazz's that were custom'd by Phil Kubicki
 
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