• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Double Bass The Learning Continues...Dad Need$ More Advice

I have the same pickup and preamp, I've had good results with it on two different basses. The earlier suggestion of the phase switch on the fdeck is a good, easy thing to try first.

I think there are pickups that are darker by nature like the Realist, but the Rev solo isn't harsh in my experience. That being said, the pickup position does have a big influence on the sound and there is a sweet spot. If it's out of position it gets a thinner sound so maybe it got bumped out a little bit. I marked the top on mine so I could relocate it easily when that happened. If that's not it, just rolling off some highs on the amp may warm it up enough.
 
... the pickup position does have a big influence on the sound and there is a sweet spot. If it's out of position it gets a thinner sound so maybe it got bumped out a little bit. I marked the top on mine so I could relocate it easily when that happened.
This was my experience with the Rev Solo as well.

The setting I used with the MB150S and Rev Solo was this:

don't use the low cut
contour- off
bright- off
treble- 12:00
high mid- 12:00
low mid- 9:00
bass: all the way on

You may need to roll back the bass a bit as the volume goes up. Using the high pass control on the FDeck pre can accomplish this without robbing the fullness of sound.

I know these settings seem a bit unorthodox, but it's worth a shot. This was with no preamp.
 
Bridge wing pickups are sensitive to pressure. I once got a Shadow SH-950 (clone of the Underwood with a bit thicker ceramic element) and it needed some force to put it into the bridge wing. Sounded compressed but I thought it is the sound of the pickup. Years later and after changing to other pickups, I removed just a very little bit of wood with a few light strokes of a fine file the pickup slides it very easily and was barely held in place but the sound was so much better that I might not have tried something else then.
Position is important too, depending on the construction of the pickup. So you might experiment with that too and mark the position if possible on the pickup.

I only played one bass where the Realist sounded nice yet. In general I don’t like it because the high kids and highs get lost and intonation is hard to hear. The Lifeline is also dark, but not as much as the Realist. It is easy to reduce frequencies on EQ if there are too much, but they are barely there there is not much you can boost (and get a lot of noise instead).
The Realist is also not good if things get loud.
A better alternative to the Realist is the Shadow SH-965NFX. More upper frequency content, could be used with one or two sensors, but needs a common lithium cell as a power source. Battery holds for a long time as long as you remove the plug from the battery adapter (this is the power switch).
Less punch pizz than a bridge wing or adjuster pickup, but very nice with the bow. Maybe too less punch with synthetic core strings. The impedance buffer is built in, so that’s the reason for the battery and the output works with any amp. The signal is a bit quiet.

The Full Circle is good if it gets loud, punches through a big ensemble, maybe not the best soundwise in a small quiet ensemble.
There are two potential problems with it. One is the sound that changes quickly by just a little bit of rotation and the second the lifetime of it that can be reduced or terminated mostly by impact in the bridge (most commonly during transport) or maybe also simply by having it mounted under the pressure of the strings. Five years could be expected, some use the Full Circle a lot longer. A better alternative but more expensive is the Japanese Yamahiko that you need to order from Japan directly. The FDeck HPFpre is a good preamp for that one too.

I think the Full Circle and the Yamahiko are the most feedback resistant pickups.