The real reason why bands play the same old tired covers? Lazy musicians. Over the years, I have been surprised at how many musicians cannot put in the time to learn a tune. It could be that they don't have time, don't have the ability, don't want to learn one for whatever reason, think they can wing it, etc. But, in the end, they don't learn the tune, so we have to punt and do a tired-old cover instead because everyone already knows it.
There's lots of older, experienced musicians who still play the same stuff that they played decades ago and think that Bon Jovi is modern rock. There's guys who think they can wing it, and it can work until you get the bridge that follows a different chord progression. There's guys who think a song is just 3 chords, so they don't bother to learn the harmonies, dynamic changes, etc. because they think it's easy. Yes, it's easy, but you can still suck at it. There's players who don't even touch their instrument outside of a practice or gig. And I can go on and on about the various issues, but it still comes down to effort, and there's lots of musicians who won't put in the effort.
Luckily, in my current band through some lineup changes, we have folks who will actually learn a tune. What I've learned is that there's lots of covers that aren't being played that go over well. It's just that you need to spend a little time listening to the tune and learning it. And it's usually not a tune you learned in the garage 20 years ago. No-one specifically requests Brown Eyed Girl, Mustang Sally, Sweet Home Alabama, and lots of other tired covers from my band. Although we could do those tunes, none of them go over as well as the songs that lots of cover bands don't do that we do such as 'Impression That I Get' by the Bosstones or Reel Big Fish's version of 'Take On Me'.
And outside of my band, I've seen several examples too. Although 'American Girl' and 'Free Falling' by Tom Petty go over well, so does 'Running Down a Dream', 'Don't Do Me Like That', and 'The Waiting'. The way bands cover Aerosmith, Led Zeppelin, Beatles, Skynyrd, and other iconic Classic Rock Bands, you'd think they only had 2-3 hit songs. But they actually had a bunch of them, but too many bands gravitate towards the 1-2 easiest songs they do. And even though Steely Dan had a bunch of radio hits, very few bands play their material because it takes some effort to learn. Actually, there's lots of hit songs that would go over well that are left on the table because people won't bother learning it.
Musicians put a lot of blame on the audiences, and sure they are part of the equation, but I don't buy it that it's the majority of the problem. The tired covers are like McDonalds, people eat there because it's convenient, cheap, and they know what to expect. But, it's rarely their favorite place to eat. I've heard plenty of musicians complain about apathetic audiences, but if you're being lazy and apathetic, they will pick up on that. Expecting audiences to be passionate about your apathy is pretty narcissistic and unrealistic, IMO. Although I've seen some non-tired covers clear a floor, I've seen so many of them work out well that I feel they are worthwhile doing. A song can be a hit, recognizable, and easy to dance to without being one that every band does.
In addition to lazy musicians, lazy and unimaginative promoters and booking agents contribute to the phenomena I call "same band, different name". Booking agents especially tend to be more conservative in their dealings and are loathe to take risks. For example, even though Modern Country has become mainstream and audiences are craving it, most booking agents will book another 80s-90s Rock cover band over a solid Country act.
Anyway, that's my rant.
There's lots of older, experienced musicians who still play the same stuff that they played decades ago and think that Bon Jovi is modern rock. There's guys who think they can wing it, and it can work until you get the bridge that follows a different chord progression. There's guys who think a song is just 3 chords, so they don't bother to learn the harmonies, dynamic changes, etc. because they think it's easy. Yes, it's easy, but you can still suck at it. There's players who don't even touch their instrument outside of a practice or gig. And I can go on and on about the various issues, but it still comes down to effort, and there's lots of musicians who won't put in the effort.
Luckily, in my current band through some lineup changes, we have folks who will actually learn a tune. What I've learned is that there's lots of covers that aren't being played that go over well. It's just that you need to spend a little time listening to the tune and learning it. And it's usually not a tune you learned in the garage 20 years ago. No-one specifically requests Brown Eyed Girl, Mustang Sally, Sweet Home Alabama, and lots of other tired covers from my band. Although we could do those tunes, none of them go over as well as the songs that lots of cover bands don't do that we do such as 'Impression That I Get' by the Bosstones or Reel Big Fish's version of 'Take On Me'.
And outside of my band, I've seen several examples too. Although 'American Girl' and 'Free Falling' by Tom Petty go over well, so does 'Running Down a Dream', 'Don't Do Me Like That', and 'The Waiting'. The way bands cover Aerosmith, Led Zeppelin, Beatles, Skynyrd, and other iconic Classic Rock Bands, you'd think they only had 2-3 hit songs. But they actually had a bunch of them, but too many bands gravitate towards the 1-2 easiest songs they do. And even though Steely Dan had a bunch of radio hits, very few bands play their material because it takes some effort to learn. Actually, there's lots of hit songs that would go over well that are left on the table because people won't bother learning it.
Musicians put a lot of blame on the audiences, and sure they are part of the equation, but I don't buy it that it's the majority of the problem. The tired covers are like McDonalds, people eat there because it's convenient, cheap, and they know what to expect. But, it's rarely their favorite place to eat. I've heard plenty of musicians complain about apathetic audiences, but if you're being lazy and apathetic, they will pick up on that. Expecting audiences to be passionate about your apathy is pretty narcissistic and unrealistic, IMO. Although I've seen some non-tired covers clear a floor, I've seen so many of them work out well that I feel they are worthwhile doing. A song can be a hit, recognizable, and easy to dance to without being one that every band does.
In addition to lazy musicians, lazy and unimaginative promoters and booking agents contribute to the phenomena I call "same band, different name". Booking agents especially tend to be more conservative in their dealings and are loathe to take risks. For example, even though Modern Country has become mainstream and audiences are craving it, most booking agents will book another 80s-90s Rock cover band over a solid Country act.
Anyway, that's my rant.
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