A small update to my serial compression experiments. I am now plugging the serial comps into my GK amp. Interestingly, all of the previous experiments were direct to the mixer, as if I was playing a gig -- because my amp stays home for 99% of my gigs.
The noise floor level on the sustain knob didn't get noisy at noon, like it did direct to my mixer board. Instead, I was able to get nearly to 3:00. With the signal comp'd in serial into the GK preamp section, I was achieving a very mid-y overdrive that sounded pretty good.
The noise floor level on the sustain knob didn't get noisy at noon, like it did direct to my mixer board. Instead, I was able to get nearly to 3:00. With the signal comp'd in serial into the GK preamp section, I was achieving a very mid-y overdrive that sounded pretty good.
Thanks for the sound clips, it helps to correct the sound I imagined the comps would make.