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THIS IS WHY FENDER IS HERE TO STAY

Mar 27, 2020
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Oak Park, IL
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A thread that recently ended talked about the reason why the initiator thought Fender was a dinosaur, I would like to start a thread on why Fender is here to stay.
The big 3 basses for Fender are the Precision (b1952), the Jazz Bass, and the Mustang {born in the middle 60's)There are people who don't like the Fender Bass appearance, how it sits with a strap on their shoulder or the total weight. My counterpoint is that Fender has developed a number of basses after Leo Fender left the company that add alot to the line: the Jaguar, Precision Mini, Musicmaker, Coronado, etc. The entire Fender line is replicated at a lower price level in the Indonesian made Squier line. And Fender uses Squier to introduce new basses or modification of Fender designs into the family. The latest include the Squier Precision Mini, Stratocaster Mini, Affinity Jaguar with humbucking pickup and maple fretboard. In terms of amps Fender offer a full li9ne up of bass amps to match to an individual bassist's needs. And I will say as someone whose first bass was a brand new 67 Fender Mustang Bass (sold many years ago) the first brand I thought of when I started playing again at age 67 was Fender. Squier allowed me to re enter the field at a retiree's pension and a small Fender bass amp met my needs. And when I began to look for an acoustic bass guitar to join the local farmer's market weekly jam there was the new Fender CB-60 Acoustic and a series of other acoustics along with the top of the line which has a shortened Jazz Bass neck. Fender works with large music stores doing special runs including Chicago Music Exchange's series of pink guitars and basses as well as the special finishes offered by Sweetwater. And if you like a sub 34 inch neck Fender offers some of the best options on the market: 28.6 in, 30 in and 32 inch. And the Mustang in either Fender or Squier colors offers either Precision pickups (with the addition of a J pickup) or traditional Leo-designed Mustang pickups. Consider that Fender has multiple price points based on level of sophistication and country of manufacture: Squier and Fender basses built in Indonesia, Fender basses built in Mexico, Fender basses built in the US and Custom Shop. The same goes for amplifiers starting with15 watt/8" speaker going up in steps to a piggyback amp with 2 15 inch speakers and 800 watts. The Fender I describe now is so much more versatile and varied than the Fender I knew in 1967 when I had to buy an AMPEG amp because the Bassman Cabinet was larger than I could manage. Granted, Fe3nder has not gone into new and unique shapes or vastly different types of electronic to give the bassist more "sonic" choices but Fender has built a line of basses and amps that gives the bassist who likes the Fender Sound alot of alternatives. (and yes my P Bass is a Fender clone)I but I like having a Precision Mini, a Jaguar and an Acoustic with the Fender name on the headstock
 
It says a lot that the bass guitar was referred to as the Fender Bass for several decades; and those same designs remain mainstream models. And, then, there is the overwhelming number of popular music standards recorded with Fender basses. In short, there really is no discussion.

At the same time, the current version of the company derives most of its income from non-bass instruments and gear; and has struggled with maintaining quality and consistency in their bass designs. Their 5 string basses have been through so many designs, that it is difficult to keep track of what’s out there. Hot mess generally summarizes their 5 string bass products, whatever they happen to be at the moment. It’s almost like they don’t really care about the bass guitar or bass players. And really, why should they, when they are selling more than an order of magnitude more guitars?

It is what it is; and I can understand why many bass players look elsewhere. But, I will tell you this: when I go to auditions, I have Fender on the headstock.
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It says a lot that the bass guitar was referred to as the Fender Bass for several decades; and those same designs remain mainstream models. And, then, there is the overwhelming number of popular music standards recorded with Fender basses. In short, there really is no discussion.

At the same time, the current version of the company derives most of its income from non-bass instruments and gear; and has struggled with maintaining quality and consistency in their bass designs. Their 5 string basses have been through so many designs, that it is difficult to keep track of what’s out there. Hot mess generally summarizes their 5 string bass products, whatever they happen to be at the moment. It’s almost like they don’t really care about the bass guitar or bass players. And really, why should they, when they are selling more than an order of magnitude more guitars?

It is what it is; and I can understand why many bass players look elsewhere. But, I will tell you this: when I go to auditions, I have Fender on the headstock.
View attachment 4346336

On a completely different note, how and why do you like those Delanos?
How do they compare to the Suhr era pups?
 
On a completely different note, how and why do you like those Delanos?
How do they compare to the Suhr era pups?
Oh man, good question.

I “discovered” the Delano’s while I was gigging a Suhr era Jazz Bass and looking for something in that ballpark for my Sadowsky RV4. As it turned out, the Delano’s were actually far better for my purposes.

In fact, the evening after swapping them out, I took the RV4 to Big Band rehearsal. We got about half way through the first tune, and the band director stops the whole 24 piece band, looks at me and asks what happened to my bass that it sounded so amazing. True story. I’ve been stuck on the Delano’s ever since.

The Delano neck pickup can get REALLY close to a legit P vibe, while the bridge pickup still does all the traditional J vibes. It’s like having both a really great P and J in the same instrument. Oh, and they pair really well with the Sadowsky preamp.
 
A thread that recently ended talked about the reason why the initiator thought Fender was a dinosaur, I would like to start a thread on why Fender is here to stay.
The big 3 basses for Fender are the Precision (b1952), the Jazz Bass, and the Mustang {born in the middle 60's)There are people who don't like the Fender Bass appearance, how it sits with a strap on their shoulder or the total weight. My counterpoint is that Fender has developed a number of basses after Leo Fender left the company that add alot to the line: the Jaguar, Precision Mini, Musicmaker, Coronado, etc. The entire Fender line is replicated at a lower price level in the Indonesian made Squier line. And Fender uses Squier to introduce new basses or modification of Fender designs into the family. The latest include the Squier Precision Mini, Stratocaster Mini, Affinity Jaguar with humbucking pickup and maple fretboard. In terms of amps Fender offer a full li9ne up of bass amps to match to an individual bassist's needs. And I will say as someone whose first bass was a brand new 67 Fender Mustang Bass (sold many years ago) the first brand I thought of when I started playing again at age 67 was Fender. Squier allowed me to re enter the field at a retiree's pension and a small Fender bass amp met my needs. And when I began to look for an acoustic bass guitar to join the local farmer's market weekly jam there was the new Fender CB-60 Acoustic and a series of other acoustics along with the top of the line which has a shortened Jazz Bass neck. Fender works with large music stores doing special runs including Chicago Music Exchange's series of pink guitars and basses as well as the special finishes offered by Sweetwater. And if you like a sub 34 inch neck Fender offers some of the best options on the market: 28.6 in, 30 in and 32 inch. And the Mustang in either Fender or Squier colors offers either Precision pickups (with the addition of a J pickup) or traditional Leo-designed Mustang pickups. Consider that Fender has multiple price points based on level of sophistication and country of manufacture: Squier and Fender basses built in Indonesia, Fender basses built in Mexico, Fender basses built in the US and Custom Shop. The same goes for amplifiers starting with15 watt/8" speaker going up in steps to a piggyback amp with 2 15 inch speakers and 800 watts. The Fender I describe now is so much more versatile and varied than the Fender I knew in 1967 when I had to buy an AMPEG amp because the Bassman Cabinet was larger than I could manage. Granted, Fe3nder has not gone into new and unique shapes or vastly different types of electronic to give the bassist more "sonic" choices but Fender has built a line of basses and amps that gives the bassist who likes the Fender Sound alot of alternatives. (and yes my P Bass is a Fender clone)I but I like having a Precision Mini, a Jaguar and an Acoustic with the Fender name on the headstock
Oh, but they have gone into different electronics. Dual humbucker active jazz bass, active/passive Ps and Js, jazz bass with a stingray positioned MM humbucker, any sort of pickup configuration you could think of in strats and teles for both Squier and fender. They've done everything everyone else has, except for fanned frets. And maybe headless. I can't think of one headless fender bass. But, it might be out there too.

The truth still stands though, that Fender got it right the first time. That's why they're still number one, with the "outdated and over rated" standards.
 
It says a lot that the bass guitar was referred to as the Fender Bass for several decades
No, all it says is they were first to market with a newish type of product and to gain acceptance, and they became the generic name of that product type. It's no different to tissues being commonly called a Kleenex, or a vacuum cleaner being called a Hoover, or...

If Gibson had gotten there a few years before Leo did, then the generic term would likely be Gibson bass today.
 
Fender will always be around because:
There will always be Fender marketing for as long as FMIC continues to exist;
There will always be money to be made by selling Fender products;
There will always be people who have had amazing luck and success with Fender products;
There will always be people for whom Fender is their comfort zone;
There will always be people who think Leo got it right the first time and so everything is already settled;
etc.

Personally, I don't see the appeal in looking & sounding like everyone else. I'd like to think that people could be more imaginative and creative than that. But as always, I speak only for myself. Everyone else is free to think and do as they please.
 
Fender is a business, not Leo revolutionalizing mass production. And we're at an age where Asian made instruments are way more consistent and noteworthy. And Fender, as a company, still capitalizes on its big name, history and iconic imagery. Couple that with the rampant nostalgia of these times and the fact that, unavoidably really, every single one of the bass icons played a Fender, well, there's your marketing campaign. Hell, you don't even have to market your products based on the above.

However, with the advent of the internet and the fact that, on talkbass alone, you can have a pretty much spot on representation of an instrument you haven't even seen up close and also the fact that there are countless other "copies" and even better (for some), alternatives, guess what?
Fender needs to COMPETE.

Offering pretty run of the mill stuff (alder-maple etc.) on established (in the 50's and 60's) designs at high prices and with spotty QC to boot, betting on name and image recognition alone, isn't really gonna cut it, unless you only care to cater to die hards that still feel it's normal to have to shim and spot (at best) level a 1000 euro instrument out of the box. Haven't seen a Sandberg (random choice) that needed a shim...

I can kinda sorta get it with American made instruments. I'm not completely justifying it and I think they're WAY overpriced but sure, ok. I feel that way for other MIA instruments, too. But MIM's? Is there an almost 400 euro difference between a Squier CV and a Player series MIM? Is a road worn or a vintera, based on what they objectively are, really worth 1000+?

Hell, have you seen the cheapest five string precision from Fender? It's about 2000 euros. The next cheapest is a five string affinity jazz. That's it.

Aaanyway, I don't hate Fender. I've said many times that I've always wanted (and never got) one. But still, as a conclusion, Fender now is just another business that needs to compete. And at the prices they choose to charge for their offerings, they better up their options and QC if they want a bigger piece of the pie.

Then again, some people like carrots so what do I know.