Forty-two years later, and I still think it is a masterpiece. Bernard Edwards was Superman on bass, and Nile Rodgers, Tony Thompson, and Bernard Edwards are still the tightest rhythm section of all time to my mind.
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Forty-two years later, and I still think it is a masterpiece. Bernard Edwards was Superman on bass, and Nile Rodgers, Tony Thompson, and Bernard Edwards are still the tightest rhythm section of all time to my mind.
Classic Edwards, and I like the bass notes that do harmony with the piano chords (always loved their piano voicings)but as far as it not being a hit…
That chorus hook is kinda weak to me, and there's no middle break, which means it just goes on and on. I hear elements of "Le Freak" being repeated on the verses as well. The fact that they squeezed out four big hits(as well as the Sister Sledge stuff)in a genre with a flurry of activity(even though the clock was ticking on that)was accomplishment enough.