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Those who gig: Favorite "Break music" cd's?

SMASH said:
It's also great to just go onstage with bass & drums at first and play whatever tune is on the PA and then have them fade the CD out. This works best with instrumental / electronica / drum & bass .. or whatever that's called.

Of course it all depends on the venue, crowd, etc.
i love doing that - it works out very well - especially in a club where they know you - they tend to get a kick out of it.

Honestly, a lot of times just letting the crowd play the jukebox is cool. sometimes that gives you a real feel for what they are in the mood for and you can adjust your set accordingly.

i wouldn't really put on the mothers of invention - for those of you familiar with those songs - i'm sure you'd agree that after 10 minutes of any of those tunes they'd be begging for your band to come back up and play :p
 
IvanMike said:
...Honestly, a lot of times just letting the crowd play the jukebox is cool. sometimes that gives you a real feel for what they are in the mood for and you can adjust your set accordingly.
At least one band that I travelled with (as audio tech, in those days) HAD to use the jukebox on breaks. I mean I guess I don't really know if it was more of a band rule or if it was standard-practice in the 'Outlaw Country' live music scene - but it was said that the club made money off the jukebox, and expected to make money off it whenever a band wasn't playing.

I remember many-a-time speaking with bartenders or a manager before the show, working out the logistics of 'don't forget to turn the jukebox back on when the band goes on break'. We'd fade-in a tune from our system right away going into the break, and then I'd wait by the board to fade it out when the jukebox came back online (sometimes flagging-down a bartender to remind them, or sending someone up to..).

...and you're right Ivanmike. The bandleader listened carefully to what was being played on the jukebox (and what wasn't) while we were setting up, and it helped him a little in putting the night's songlist together. In that situation (E.W. Porter Jr. and the Texas Crude) we almost always did like Wed, Thur, Fri, Sat gigs (occasionally TWO or more weeks), so we all really had the crowd dialed-in after a couple nights!

Joe
 
Depends on the gig, but I have four CDs that I have mixed together for shows. The band I play for is a Blues band.

1) Swing tunes - High energy, not too offensive. Keeps the mood and energy up in between sets.
2) Funk and R&B - Gets em ready to dance, songs are more familiar so people sing and dance along.
3) Jazz - People can talk and creates a casual atmosphere. Doesn't scare away the dinner crowd. Nice for the first break after the first set.
4) Rock - Classic guitar laden rock for the crowds that are really into this kind of thing. I usually don't like playing this CD but in some crowds, it will go over better than the other 3.

As Smash said, people's ears get tired. I aim for music that doesn't tire ears, yet keeps the mood up and compliments the band. Because it's a Blues band, it's a little wierd to hear 15 minutes of electronica or neo punk after we finish off a set with a Elmore James tune, and then interupt the electronica with a Albert King tune. Same would go for a Metal band that has the bartender throw on Christine Aguileria on the house system after the band finishes a set with Slayer's Angel of Death. Break CDs are a great way to control the mood and theme of the night.