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If I could get a roadworn J neck to put on my roadworn P body I'd be happy.
I don't like the RWs because of the seemingly identical forearm wear from one instrument to the other.
shoot-r said:My R.W. Jazz must be the one "odd man out"!
I've not seen any other R.W. Jazzes with the same forearm wear marks as mine has.
I've also noted some have checkering in the finish, some don't.
Mine has the belt-buckle marks on the back, some don't.
Jim Carr said:Wow. Gorgeous bass. Love the cabs, too! Are they Mesa?
May I ask who built the tort pickguard for you?
meatwad said:That's cool, I was just making an observation based on the few I've seen. I played a couple of various RW basses and guitars at GC one day, and noticed how very similar they all looked in that respect. Then the few I have seen online reminded me of them, as well.
That said, I'm glad to hear (and not terribly surprised) that there is some variation to the faux wear. It was hard to imagine a machine doing all the dirty work on an assembly line, so I figured there was probably some human inconsistancy out there somewhere.
Johnny Alien said:The only issue I have with the RW series is that there is no 60's Precision Bass.
If they do a 60's P, they better do a 70's J
The pickguard is a regular Fender 62 RI Tortoise Pickguard, fits perfect.
The cabs are made by myself to the plans of a TL806 of Electro-Voice. The speakers are Eminence basslights S2012. Each Cab weights just 13kg and the sound is great ....
More pictures Invalid Link Removed, just click on the picture ....

Thank you for the compliments!
It was a lot of work, believe me ... But the sound is worth every hour!
Jim Carr said:There is...Nice '39 Ford:
Per TB's UGLY BASS RULES - "You're welcome to give your own personal reasons why you don't like the look of worn instruments, however they ended up in that condition"
I don't like the RWs because of the seemingly identical forearm wear from one instrument to the other. If I ended up with one, I would feel obligated to make it look less factory-fresh "RW". My God, I would be fake relicing a fake relic to make it look less fake?
Screw that. I'm sticking to my shiny AMSTD.

...The relic finishes are nearly identical on each one, but they wear very quickly on the back of the neck, the right arm body contour, and around the bridge pickup where fingers often contact the top—creating an individual character at the same rate a pre-CBS Fender bass does.
BTW, the three-tone sunburst finish on every MIA '62 AVRI bass is pretty identical from one to the next, too—and we consider that a good thing.
This is an actual road worn car - what about fake road worn, like these fenders? If you like them, that's great - it's not my style, though.
I am wondering how many RW owners intentionally "relic" their relics?![]()

How come there's no market for "road worn" cars?
This is an actual road worn car - what about fake road worn, like these fenders? If you like them, that's great - it's not my style, though.
It's possible...
As per post #163 of mine, I was at the G.C. when mine was unboxed, brand new. It came out of the box with belt buckle rash and a larger worn arm rest markings than I've seen on other R.W.'s.
It has markings on it that I've not seen on any of the other R.W. Jazzes I've auditioned.
I've noticed checking in some R.W. finishes that I've not seen in others.
Recently I saw two, in the music store, R.W. "P's". One had the belt buckle rash, one didn't! Maybe store employees are makin' the changes???![]()