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Thunderbird Club

A couple of years ago I bought a Line 6 bass pod used. It didn’t come with an instruction manual but I eventually found one on line (didn’t bother to print it because it was about the size of a phone book - remember those). Anyway, all I can say is it’s about the least intuitive and needlessly complex piece of bass gear I’ve ever purchased. A few of the hundreds of different modeling sounds you can get out of it are nice but there’s absolutely no way I’d even consider using it live, way way too much fiddling and tweaking for a fast moving set list. On the plus side, it does seem to be a quality built item and I’m sure I haven’t even scratched the surface on different things it can do. Bottom line, it’s not my cup of tea and will soon go on the block hopefully to a home where it can be better utilized and appreciated.

I have a Line 6 Live pedal set and it was pretty time intensive on the front end to program to be sure. What I liked about was the I could create a custom program for each of my basses so I could balance or level their output, eq. etc. So when I would step on 8.1 it was the ideal for my purple '76, 8.2 would be set up for the Greco and it's high output pickup. So I made a preset for each of my basses and this allowed my to move between several different basses during a live show without having to do anything more than step on a pedal.
These days I'm just plugging into the amp and enjoying each of my Birds and their various strings without anything else in the chain.
 
From last night...
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Just got back from a trip to couple of music stores with my daughter.
The first one had a new black Gibson Thunderbird. The neck had so much forward bow the action had to be at least 3/8 inch at the 12th fret! I pointed it out to the sales clerk and she said it wasn’t like that when when she unpacked it the other day. I suppose it did go from Nashville to Toronto to Vancouver.
One of the guys there tightened the truss rod to get it into playable territory and I tried it out.
Pros: nice and light, good fretwork, sounded good
Cons: finish flaws:bored:. (I like Gibson and want them to succeed, but) they hadn’t filled the pores on the edges of the headstock and where the fingerboard meets the body was a mess. The black finish did not help, because you could see every flaw, including a divot (maybe a pore?) in the middle of the back.
That bass is $3k. Yikes!

Onto the next store, no a Gibson or Eppi Tbirds, but they had a couple of Dingwall D-Rocs. I think I played the standard. It was matte black with 3 pickups. That’s a nice Tbird-ish bass! Very light, set up nicely, and a good range of tones.

Hanging in a back corner was a 1963 Gretsch Country Gentleman bass. Easily the fattest neck I’ve ever seen on a bass guitar! And it has an end pin.

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Just got back from a trip to couple of music stores with my daughter.
The first one had a new black Gibson Thunderbird. The neck had so much forward bow the action had to be at least 3/8 inch at the 12th fret! I pointed it out to the sales clerk and she said it wasn’t like that when when she unpacked it the other day. I suppose it did go from Nashville to Toronto to Vancouver.
One of the guys there tightened the truss rod to get it into playable territory and I tried it out.
Pros: nice and light, good fretwork, sounded good
Cons: finish flaws:bored:. (I like Gibson and want them to succeed, but) they hadn’t filled the pores on the edges of the headstock and where the fingerboard meets the body was a mess. The black finish did not help, because you could see every flaw, including a divot (maybe a pore?) in the middle of the back.
That bass is $3k. Yikes!

Onto the next store, no a Gibson or Eppi Tbirds, but they had a couple of Dingwall D-Rocs. I think I played the standard. It was matte black with 3 pickups. That’s a nice Tbird-ish bass! Very light, set up nicely, and a good range of tones.

Hanging in a back corner was a 1963 Gretsch Country Gentleman bass. Easily the fattest neck I’ve ever seen on a bass guitar! And it has an end pin.

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So, did it follow you home?