I love Class D amps. I also love standing 4 feet in front of an 8x10. But I don't like moving big gear anymore so I use a 2 x 10.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Hi, I rarely post here but do like to keep an eye on things.
I’ve been arbitrarily ardent on vintage gear for years. It’s something I somewhat loath about myself. It’s been to my detriment and benefit at times.
My last five years have been spent down a total rabbit hole on vintage gear, particularly amplifiers and cabs.
Ive always been left wanting more, it’s been super beneficial to be exposed to a wide range of gear but there comes a point when I’ve had to put function above my own romanticism.
Especially geographically for myself, the acquisition of killer old school valve powered monsters was so attractive but I need a change for the better.
Ive purchased an unassuming Ampeg class D and I have to say I haven’t been this excited for a piece of gear in a while.
Have any of you ever been through a real turning point in terms of equipment or am I just being a bit nutty on account of lockdown? I’d live to hear your opinions, Many thanks for reading, apologies for the essay, Tom
I think so too, and in some cases the "noise floor" actually adds ambiance in my opinion, but YMMV. Especially for ambient or doom-ish settings I like a bit of noise in my recordings. In others not so much.
Take that head and gently perch it above two 1x15 Sunn))) cabs with a horn in the upper cab and you have my main rig of days gone by. The days of casters under the cabs, good times! My 2x12 weighs less than one of them and the 900W head is no comparison to the "totally tubular dude" amp.
This is what I use now and just as loud if not louder.. total weight of everything is 67 lbs.Take that head and gently perch it above two 1x15 Sunn))) cabs with a horn in the upper cab and you have my main rig of days gone by. The days of casters under the cabs, good times! My 2x12 weighs less than one of them and the 900W head is no comparison to the "totally tubular dude" amp.
I don’t think most of an audience at a typical gig that most of us play could even notice a bass’s tone difference between a vintage tube bass amp and a modern class D.
Have any of you ever been through a real turning point in terms of equipment?
Most of 'em don't notice there's a band playing...I don’t think most of an audience at a typical gig that most of us play could even notice a bass’s tone difference between a vintage tube bass amp and a modern class D.
I've got a PF800, its awesome. Got a new V4-B on the way, it should be more awesome.Hi, I rarely post here but do like to keep an eye on things.
I’ve been arbitrarily ardent on vintage gear for years. It’s something I somewhat loath about myself. It’s been to my detriment and benefit at times.
My last five years have been spent down a total rabbit hole on vintage gear, particularly amplifiers and cabs.
Ive always been left wanting more, it’s been super beneficial to be exposed to a wide range of gear but there comes a point when I’ve had to put function above my own romanticism.
Especially geographically for myself, the acquisition of killer old school valve powered monsters was so attractive but I need a change for the better.
Ive purchased an unassuming Ampeg class D and I have to say I haven’t been this excited for a piece of gear in a while.
Have any of you ever been through a real turning point in terms of equipment or am I just being a bit nutty on account of lockdown? I’d live to hear your opinions, Many thanks for reading, apologies for the essay, Tom
i've never been into vintage music gear --- always looked at the "latest, greatest" --- but going from analog to digital while i was in the studio business was a game-changer, for me, in the mid 90s.Have any of you ever been through a real turning point in terms of equipment
I've had two people in the last five years notice that I'm playing fretless (we do about 75-80 gigs a year) which is a bit more obvious...so I doubt they'd ever notice what kind of amp I'm using.