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Check out Dave Carpenter (RIP) with Brandon Fields- One People album, some fantastic chordal work on display.
Is that publicly available (youtube?) .. I searched and didn't find it, unless it's part of the "Dave Carpenter outtakes" videos. Do you have a link? I'd LOVE to see/hear it.There's a very cool instructional video I've seen featuring Dave Carpenter playing an incredible solo rendition of John Coltrane's "Giant Steps" where he comps all the chord changes while simultaneously playing a walking bass line. All at some insane tempo like 320bpm...and then he takes a solo chorus of 16th notes, emulating Coltrane's Sheets Of Sound! That guy was unreal.
Is that publicly available (youtube?) .. I searched and didn't find it, unless it's part of the "Dave Carpenter outtakes" videos. Do you have a link? I'd LOVE to see/hear it.
"Giant Steps" starts at 1:43
I typically strum, or more so fling my fingers downward. So the last string (G, or C) helps ring out the top end, some tricky EQing can help as well.Chords are usually defined as 3 notes played simultaneously. Multiple bass tones/notes can get muddy with chord or even double stops (two notes played at the same time). A 6 string and its use of the thinner/higher pitched strings would be best because it provides you less low frequency mud and ability to physically separate the tones of the chord by playing the same notes but play the higher pitched tones as extensions.
You do the same with 4 & 5 string basses as well but a 6 would be easier for that. I prefer 5s ergonomically. I commonly use double stops but full chords less so, and when I do I play either, I play full chords pitched higher up to reduce the mud/increase clarity or with more interval separation as I described
stanley clarke, victor wooten, jeff berlin, ed friedland, les claypool, geez, just about all the name virtuoso bassists do pretty amazing chordwork these days.