For decades RUSH would trigger sounds on stage. I was ok with it.
The vast majority of the sounds were them live
The vast majority of the sounds were them live
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really? didn't they react at the end of a tune/segment? TIAI couldn't really tell if the audience went for it either.
I'm not down for backing tracks, sampling, or any kind of electronic musical augmentation at live shows ... as an audience member or as a player. To me, there's live and then there's studio and never should the two meet. I realize that it's done quite a bit these days and my view of it has a bit of a crusty old man "get off my lawn" vibe ... but I am a crusty old man and I'm just not entertained by backing track augmented music.Saw a band the other week and they lined up as a standard 4 piece. However, the genre called for a LOT of augmentation.
Keys, horns, Sax and backgrounds and a fair few gtr solo's too.
The tracks themselves weren't that great but they made a big difference to the overall band sound.
I couldn't really tell if the audience went for it either.
I am in a bass and guitar duo and we use programmed drums, but there are some duos in my area, with a girl singer and a guy playing rhythm guitar and full tracks or a solo guitarist or solo girl singer with tracks. It's like karaoke.In a full band situation, I am generally less enthused about using tracks to fill up the sonic space. OTOH, I am in a duo project with just guitar and bass, and a few tunes with me playing keys, and both of us singing. We use a drum machine on some material and I have built tracks for some others to give us more depth/options depending on the gig, and I feel that we use the tracks judiciously, without over doing it.
So, I have kind of a mixed view of tracks. I think they can have their place. Players gotta do what they can to get gigs. I would also agree that audiences don't seem to care. In the duo, the main draw is the singer, who has an outstanding voice and delivery. That's what people come out to hear, and they don't seem to care how we back up her voice.
yeah, I totally get the karaoke reference. The tracks we do use, I have built myself, and we have not done the karaoke thing where you basically buy the full recorded song and just sing over it.I am in a bass and guitar duo and we use programmed drums, but there are some duos in my area, with a girl singer and a guy playing rhythm guitar and full tracks or a solo guitarist or solo girl singer with tracks. It's like karaoke.
4 Piece, vox, gtr, bass and drums.I'm of the opinion that no matter what you do in the studio, you have to be able to cut it live even without whatever is added in the 'studio as an instrument' phase of exploration. In short, the bones of the song/arrangement/instrumentation must be solid enough to sound good WITHOUT additional backing tracks. I'd rather hear a solid 4-piece do songs tightly, stripped down, versus a duo triggering or relying on all kinds of added backing tracks. To me, it just starts to feel more like karaoke than a performance with too much added stuff, no matter how many people are on stage. YMMV.
The crowd was there to see the band... around here bands are not background, they are there to see the band as a musical event ..by various degrees.. in itself.Is the crowd there to see the band? If that's the case, I'd say minimal and preferably no tracks. If you're background noise for dinner or brunch, as long as the vocals are live it's fine. Not ideal, but fine.
Funnily enough, at a friends gig on a beach front..so very popular event.. the halftime act was a sax over tracks..miming, and had a tip jar out.There's a guy around here that sings and plays guitar over whole band backing tracks. At least I think he's singing and playing guitar. Who knows, he may be faking that too. It's lame as hell, but he stays busy.
Muted...but that might have been because they werent very good anyway.i've played in acts that used tracks: it always worked (i.e., the paying audience was entertained and they always showed their enthusiasm).
i've watched acts get booed and laughed at when it didn't work.
really? didn't they react at the end of a tune/segment? TIA
re: the thread title: tracks or no tracks = a well-produced show works. all the rest get different results.
Tracks don't stop you from repeating sections, it's just a little harder to set up initially.For me, we run with sax and keys so an 'expensive' 5 piece. We have to be brutal as to whether we can carry the sing off.
We also jam an outro or mid part and throw an extra solo in etc, so could not entertain tracks anyway.
Would love a Hammond player though...they are like hen's teeth though.