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Tractor build

The Preamble:
I want to make a Tractor bass. I gave it a lot of thought, and almost went the route of buying a VM Jazz Bass and modifying it, but I really want to just make it all from scratch *(the fingerboard is pre-slotted). This will be my 2nd full build, and I know this will be a challenging project for me. I greatly appreciate TB and especially Luthier's Corner for all the guidance and expertise offered. I spend quite a bit of time reading through all of your build posts for ideas and inspiration. Merci Beaucoup!

The Plan:
Wood - 3-piece Alder body, Roasted Maple neck, Rosewood fingerboard
Pickups - Novak BSDS (No tap) and el cheapo JBass pickups (Guyker? I don't recall)
Hardware - Nickel finish. Either Gotoh or Hipshot Lollipops, and everything else is either from Bitterroot, or AllParts / 7ender that I could get

The Soundtrack:
I have set a rule that I will only listen to music by or books about the ABB while working on this bass in the Shop. I've been listening to the "One Way Out" audiobook, and pausing the book to listen to the albums as they are discussed in the book.
 

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Might find some inspiration here
 
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I started out routing the slot for the truss rod using a simple routing jig (not pictured, but makes an appearance later as part of my radius sanding jig). I just use double-sided tape to secure it to the blank, line it up with the center line and it works great. Then I drilled holes for the "clay" markers. I decided to go with dots instead of the blocks because they are easier to install, and I like the look better anyhow. From what I have read, the original blonde Tractor had a neck with dots prior to the neck that remains on it, so I guess that's what I'm copying. Also, this is more of a tribute, rather than a replica anyhow.

My radiusing "jig" is a scrap and my routing jig (both checked for straightness) screwed to my bench. Simple and effective.
 

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Might find some inspiration here
Oh, you bet I have seen this! I've scoured TalkBass for everything I could find about the Tractor.
 
I didn't take any pictures of the next part of the process, but I roughed out the neck shape on the bandsaw, and then sanded it to final shape on my oscillating belt sander. I've had bad luck in the past using a router to get a smooth neck, and on top of that, my table router gave up the ghost a while back. I've been watching a lot of Geoff from Fanblade Instruments' videos, and I never see him use a router for shaping the neck, so I gave it a go and it worked great! I just used a higher grit paper and took my time.
 

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When I sawed the fingerboard prior to glue-up, I must have marked it too close because it ended up not being proud of the neck blank all around. It ended up coming out alright, because I carried the curve of the neck over to the fingerboard, but I was really worried there for a bit. I thinned out the blank a bit, though it is still pretty chunky, which I prefer. Then, used the facet method to get a basic shape, not really trying to match any shapes, just going for what feels good. I blended in the heel and headstock and got everything pretty well shaped up and sanded out to 120. It feels great, and I can't wait to play on this one!
 

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I didn't take any pictures of the next part of the process, but I roughed out the neck shape on the bandsaw, and then sanded it to final shape on my oscillating belt sander. I've had bad luck in the past using a router to get a smooth neck, and on top of that, my table router gave up the ghost a while back. I've been watching a lot of Geoff from Fanblade Instruments' videos, and I never see him use a router for shaping the neck, so I gave it a go and it worked great! I just used a higher grit paper and took my time.
My favorite way to shape a neck is decidedly old skool: pencil lines, pattern maker's rasps, spokeshaves, scrapers, and sandpaper; there's something cathartic about using hand tools in the service of instrument making.

Not what I'd do on a production basis, but for for my needs, nothing satisfies quite like hand tools, quiet time, and the precision afforded by time. ;)
 
how would you wire that up? There's an interview with Oteil in which he stated that they let him play the Tractor and he said it was nearly impossible to get the right sound out of it. And only Berry know how to.
That's a great question, and it's one that I've given a lot of thought. My first inclination was to just wire it like the mono version of the Tractor, so VT for the Bisonic, VVT for the Jazz pickups. However, I'm not a fusser-overer of tone all that much. I'm more of a set it and forget it kind of player, and make tonal adjustments with how and where I play on the bass. So, my plan currently is to do VT for the Novak, then the control cover will have a Master Volume, and VT for the Jazz pups. To do this, I'm planning to wire the Jazz pickups in series, maybe even do a switch to have the option to change it to parallel, but a single volume for both pickups.

I don't even know if this is even possible, and I plan to reach out to the folks over in the Wiring and Electronics forum for help. I'm certainly open to suggestions, but I do want to keep the number of pots the same as the og.
 
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