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Underappreciated Bassists in famous bands

As for hard rock/metal I will agree with the others who brought up the incredible BOB DAISLEY! Super inventive, a hard rock Paul McCartney. What a briliant songwriter too. He is one of my main influences.

Another huge influence is Mercyful Fate's TIMI "GRABBER" HANSEN. He's coaching soccer now or something. Terrific metal bass player, and the engineers were smart enough to keep him up front in the mix.

Why can't more heavy music be mixed that way?
 
I don't know if he's under appreciated, but this weekend I've been learning Rocco Prestia's lines on Squib Cakes, and man - he gets all those 16th note syncopations in just the right places. It's amazing how he can be so busy and completely supportive at the same time.

Also, Paul Jackson with the Headhunters!
Rocco is awesome.
 
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Brad Houser from Edie Brickell's New Bohemians. The fretted and fretless work on those first two records is wonderful. Talk about a player that played to the song and not his ego.
Already mentioned but John McVie!!! All killer no filler! I so admire his playing. The man knew when to play and when not to. Something that is lost on a lot electric bassists. The first line i wanted to learn as a kid was the breakdown in The Chain. That first note is the A I hear in my head when I tune without a tuner.
Also John Deacon from Queen. So overshadowed by his bandmates but a giant on the bass guitar!
 
Who surprises you when you listen to a tune? Three come to my mind:

Leon Wilkeson - Lynyrd Skynyrd. Listen to Sweet Home Alabama, Gime Three Steps, and Freebird. Stop the gag reflex and really listen to the bass parts. I'll bet 90% of the bassists here miss a LOT from these melodic bass lines.

Garry Tallent - Bruce Springsteen. I disliked Bruce when I was young, but a few years ago I had to learn a few of his hits. These parts are also very melodic, and the entire band was made up of great musicians.

Michael Anthony - Van Halen. This has been discussed here before. His work after leaving the band shows he is capable of a lot more than pounding roots.
Who surprises you when you listen to a tune? Three come to my mind:

Leon Wilkeson - Lynyrd Skynyrd. Listen to Sweet Home Alabama, Gime Three Steps, and Freebird. Stop the gag reflex and really listen to the bass parts. I'll bet 90% of the bassists here miss a LOT from these melodic bass lines.

Garry Tallent - Bruce Springsteen. I disliked Bruce when I was young, but a few years ago I had to learn a few of his hits. These parts are also very melodic, and the entire band was made up of great musicians.

Michael Anthony - Van Halen. This has been discussed here before. His work after leaving the band shows he is capable of a lot more than pounding roots.
Chris Squire- Yes band
 
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So...what has been confirmed in this thread is that many here have a good number of bass players who we admire.
And that few bass players get much credit for a bands fame (but everyone already knew that).
Lots of people here think that certain bands are famous, the definition of famous seems to depend on how someone feels about a certain band.
Some of my favorite bands might seem famous, but where are they on the scale of fame? ...Edie Brickell's New Bohemians fame is really very different from Bruce Springsteen fame, so famous has a huge range.
 
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And the winner is.... (Due to his name being mentioned only once, in this entire thread. I mean, thin about it. If a person name comes up over, and over, and over again, can he/she really be considered under-appreciated? Whereas, this player received only one mention. That's pretty much the definition of UNDER-appreciated.) So the award goes to...

John Lodge. Of the Moody Blues.
 
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Did anyone mention Ron Blair yet?

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And the winner is.... (Due to his name being mentioned only once, in this entire thread. I mean, thin about it. If a person name comes up over, and over, and over again, can he/she really be considered under-appreciated? Whereas, this player received only one mention. That's pretty much the definition of UNDER-appreciated.) So the award goes to...

John Lodge. Of the Moody Blues.

Mike, I have to disagree on John being under appreciated. I don't have the exact name of the list, but on countless sites they tout him as being "one of the 10 most influential bassists on the planet". Somebody help me out with list name!
 
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And the winner is.... (Due to his name being mentioned only once, in this entire thread. I mean, thin about it. If a person name comes up over, and over, and over again, can he/she really be considered under-appreciated? Whereas, this player received only one mention. That's pretty much the definition of UNDER-appreciated.) So the award goes to...

John Lodge. Of the Moody Blues.
Mike, I know about the one time name mention, but still...He's one of the top guys irregardless. I think most of us just thought it as so, so he didn't get as many mentions. I know I did
 
This is at 25 pages....have I missed Keith Richards? Probably did more of the Stones bass lines then we realise. Defiantly him on Sympathy.
Ronnie Wood. Listen to the Stones song's Emotional Rescue and Miss You (among others.
Did Bill Wyman leave the band for periods of time? Was he just not capable of playing those lines? What's the story there?
 
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Did Bill Wyman leave the band for periods of time? Was he just not capable of playing those lines? What's the story there?
Throughout the Stones recording career, Keith has spent more time in the recording studio than everybody else in the band, and way, way more time than Bill Wyman.
Keith recorded tracks by himself....Guitar, Bass, Piano and whatever else and some of those parts have ended up on their records.
Bill never seems to care that much if Keith does what he does,...the band seems to be Keiths band to begin with, and I would guess his choices prevail.
Ronnie Wood played bass in the Jeff Beck Group and sometimes recorded bass parts with The Faces, and I think he will pick up the bass in the studio with the Stones as well.
 
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In fairness, the Rolling Stones became Keith's band after Brian Jones ...well, certainly after he died; many Stones scholars would argue that Brian abdicated that role (intentionally or otherwise) long before he passed away.
Agreed, I would say that Keith and Mick took the band from Brian well before Brian was screwed up all the time and unable to play in a band.
I think, as soon as Mick and Keith started writing (hit) songs together, they became a different band than the earliest days of doing just blues covers, as soon as that happened it was not Brian's band anymore.
 
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