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Want to learn some Beatles songs

I transcribed this one some time ago. Hope you'll find it useful:

Somethingbassline.jpg


Sir Paul detuned his bass' E string to D for this song, BTW.
 
Alvaro Martín Gómez A.;7183695 said:
Sir Paul detuned his bass' E string to D for this song, BTW.

I have to call you out on this. According to Geoff Emerick's memoirs of engineering for the beatles, and Mark Lewisohn's session notes, there is no record of Paul ever detuning in the studio.
 
I have to call you out on this. According to Geoff Emerick's memoirs of engineering for the beatles, and Mark Lewisohn's session notes, there is no record of Paul ever detuning in the studio.

Of course I cannot contradict such source but anyway, I clearly hear a low D in measure 28. Brian Fox of Bass Player Magazine heard it as well.

Plus, "Yesterday" was conceived and performed live in the key of G, but I'm pretty sure that McCartney used a detuned acoustic guitar for the studio version. You can see him here lip-syncing the studio version (in F) but playing it in G major on his acoustic guitar.
 
Yeah, the song has a low-D, definitely. If you follow along with the transcription, you'll hear it. Just because no one says he did it, doesn't mean it didn't happen. In any case, the Beatles recorded quite a number of tunes in a different key than they were finally played back for mixing. You can spot them pretty easily if you listen to the drums. Check out Rain or Everybody's Got Something Hide... and you can tell that the songs were actually played in different keys than you're hearing on the record.

Anyway, as far as learning Paul's lines go, the Bass Master book is a great place to start and you'll also want to dig up the Something transcription from Bass Player April 2006. You can use the notation above, but the tab in BP gives a good idea of the position that the notes are played in.

I think once you dig into the songs you'll find that your difficulty rankings might need to be amended. The Word is definitely an easy groove but it has some of the most ridiculous fills ever. Come Together on the other hand sounds a lot more complex than it is.