fwiw, the Warmoth I own has* a feel, fit, & finish as good as any Fender I've ever played. Actually, the feel is better in some ways, since I've got either an unfinished neck or else some extremely subtle satin-type finish that makes the back of the neck feel like raw wood. (I bought it used, so I really don't know what was done to it.)
However, there was one egregious shortcoming in the sound of my Warmoth: it's a 5-string, and the low B was the most lifeless, anemic, no-balls, wimpy POS I have ever heard on any 5-string bass anywhere. The other 4 strings sounded fabulous, fat, punchy & crisp with plenty of note definition, proper harmonic balance, and no dead spots. But that B string was an epic failure.
* I say "has" but since that bass has now been parted out into two different instruments I guess technically I should say "had". The body & electronics are now coupled with a custom Michael Dolan 8-string neck that sounds wonderful; I'm re-using the neck & bridge for a still-in-process fretless 5-string that's getting a custom WattFab body & will probably be strung EADGC (though I may try it as a BEADG once just to confirm whether the lame B string was an inherent problem in the neck, or just bad symbiosis between the original Warmoth body & neck).