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What are you most picky about?

Apr 11, 2005
127,255
125,175
Plymouth NC
Disclosures
Endorsing: Yamaha, Ampeg, Line 6, EMG
Here's my list:

---Super low action and light strings. I'd rather there be a slight fretbuzz than sacrifice higher action. So I get every bass I have as low as I possibly can, and never use anything heavier than 40-100 or 40-120 for 5 string, even when playing flats.

---Neck radius. Between 9.5" and 12" seems to be my comfort zone for a 4, though I just got a Yamaha 5'er with something like a 24" radius and it feels good. But any rounder than 9.5" and I can't bend strings without choking out or raising the action. And that ain't happenin'.

---Light weight. I wear the term "weight weenie" like a badge of honor and don't care if you he-men "Just go hit the gym" types like it or not. Wasn't always a weight weenie but a chronic should problem, due to a heavy-as-heck Jazz I used to own on a 2" seatbelt strap, put a stop to that. I've got a limit and I do my best to stick to it, and since I've got light basses that I love already, I see no need to buy any that are going to make my shoulder worse.

---Black. If it's not black, it must go back. I don't mind other colors interspersed with the black base color, but a bass has to have black as the base color for me to buy it these days since I scientifically proved that I look the best with a black bass. Any bass you might see in my little collection that's not black was grandfathered in before the testing.

And you?
 
+1 on low action. I actually like a little fret buzz as it suits my tone which is fairly aggressive fingerstyle and I dig in reasonably hard.

Ergonomics are also very important - no point having a cool bass if it hurts your hands and/or back playing it for hours. My Spector is the heaviest I have at around 9.2lbs so have bought a 4” strap specifically for it. Wouldn’t want to go much heavier.
 
---Super low action and light strings. I'd rather there be a slight fretbuzz than sacrifice higher action. So I get every bass I have as low as I possibly can, and never use anything heavier than 40-100 or 40-120 for 5 string, even when playing flats.
Low action – but for me, that allows heavier strings with higher tension. Playing with a light touch, I like strings that feel really taut, so that I nonetheless get a vibrant tone, full of life. With all the rounds I've tried so far, that tone arrives at 45–105. Fortunately taut strings allow a low action, which for my left hand mitigates the high tension.
 
Low action – but for me, that allows heavier strings with higher tension. Playing with a light touch, I like strings that feel really taut, so that I nonetheless get a vibrant tone, full of life. With all the rounds I've tried so far, that tone arrives at 45–105. Fortunately taut strings allow a low action, which for my left hand mitigates the high tension.
Yeah, I tried that for a while, and went back to the lights because I like to bend strings, and the more bendable they are, the better for me.
 
Low action for sure. If I can’t get the action down to where I like it, I don’t want the bass.

Even output across all strings. I have a pbass and the A string has noticeably higher output than the e string.

String tension. I’ve tried a lot of strings and just like higher tension strings. I bought a set of TIJF’s and although the tone was amazing, I couldn’t stand the low tension.
 
Low action for sure. If I can’t get the action down to where I like it, I don’t want the bass.

Even output across all strings. I have a pbass and the A string has noticeably higher output than the e string.
You should be able to adjust that with pickup height adjustment.
 
I am absolutely most picky about the upper horn strap placement on a bass. I don’t have long arms, so a 12th fret-aligned strap button is ideal.

In hindsight, this is why I have never been able to settle on a Spector or Warwick.

My other thing I’m picky about is a non-intonable bridge/saddle. This is why it was so hard for me to find an acoustic bass guitar. However I lucked out in a Washburn a year or two ago.
 
Oddly enough, I am the exact opposite when it comes to strings & setup, I like crazy neck bow, inch-off the fingerboard action, and my favorite strings are the La Bella '50s flats. Another thing is neck back to front thickness, my first bass was a 6 string Ibanez, and since my fingers are long, it pushed the area between the palm and the fingerboard straight into the edge of the neck, which caused quite a bit of discomfort.
 
I’m pretty picky about neck profiles, although it’s a bigger deal with guitars than basses. I thought I only liked thin necks until I played our guitarist’s fancy Ibanez AZ which had a pretty substantial neck but with such a beautiful curve to it.

With basses I’m all about fat, round vintage tones. I’m not completely anti-modern tones but I grew up in the ‘90s when the “Stingray with fresh, bright rounds and a pick” tone was everywhere and I think I had my fill of it then. I still love that tone on some of those records (Josephine Wiggs FTW) but it’s not something I’d want to recreate today.