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What bass strings are you using and why?

Currently
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My first BEAD. Wasn't sure how the neck would go. So I went for a low tension set. Probably go low riders next change.

Used halfrounds for the sound about since they came out. Always found the swing bass a bit bright for my taste. Halfs were a good GP alternative. Used Dads until I discovered Low Riders. Then I became a fanboy. Nowadays the halfs are going out of fashion. Gone completely from the DR range. Might be a good idea to have a plan b against the day I can't get anymore. After reading this thread I'm thinking flats on one bass and low riders on another. Always been a 1 bass type of guy. Might've developed some thinking habits. But I could choose a bass to suit the gig and probably sound better than my one bass fits all approach.
 
Currently GHS Pressurewounds on my #1 atm (classic stingray). They aren’t tough on the fingers and have a great growl to them. Once the D’addarios go dull in my SR2605, I’ll probably but a set on that too.
 
I have different strings on everything I own. I try to match the strings to the bass to get what I consider is the best from each.

Perennial favorites are:

Rotosound Swing Bass
DR Sunbeams
TI Jazz Flats
GHS Pressurewounds
LaBella Copper White Nylon
D’Addario EXL280 Piccolo Bass
 
Ernie Balls cobalts: smooth feel, tighest b-string (outside of steel strings or steel cables), and they have a nice top-mid grind to them that makes them sit quite nicely in the mix (metal)
 
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Love DR HiBeams on a jazz, I’m about to try the short scale version on my Atelier Z shortie, hopefully they’ll work just as well on that. Reason: perfect tension and tone, they last long and they sound good when they’re dead too.

Also love D’Addario tapes on a P or PJ, they’re the nicest strings I’ve ever played, but they’re not for everyone. They have a very particular sound. I also want to try the short scale version of those on the Atelier Z, if the HiBeams are too bright I’m getting the tapes on there for sure.
The Atelier Z short scale rounds are also nice, but I don’t think they’ll be easy to get hold of once the current set dies.
 
I like lower tension strings, I've always liked the modulation on some synth bass lines so I try and replicate that. Plus I use a much lighter slap technique these days, trying to play on the thumb what I play with the fingers. That means working the thumb and index on the same string quite a bit of the time. I've used Bass Centre Elites Stadium S/S 40-100 for about 25 years. Every pack has been as consistent as the last, never had a duff string. Not bad on life either.
 
Here's the string type for each of my basses at the moment:

Geddy Lee Jazz - Rotosound RS66LF rounds
Nate Mendel Precision - Fender 9050L flats
Precision Deluxe - Fender 7250M NPS rounds
Am. Performer Jazz - GHS Balanced Nickels 4M-NB rounds
FrankenFender Jazz - Fender 7250M NPS rounds

I have a new set of Fender 9050L flats that will most likely go on the FrankenFender, but thinking about seeing how they sound on the Am. Performer Jazz. Up until a couple of months ago I was using bulk NPS rounds from Juststrings.com. They sounded good for the most part, but after about a year of those I decided to test out other options. I had a set of Ernie Ball Slinky rounds on the Am. Performer Jazz for a bit, might go back to those at some point as well.
 
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