BurningSkies
CRAZY BALDHEAD
- Feb 20, 2005
- 27,956
- 20,348
- Disclosures
- Endorsing artist: Dingwall Guitars
I gig with a 1066 XL because I need stereo compression. Tone is irrelevant to me when talking about compression, because i need compression to be mostly transparent. I use compression as a utility, not an effect. I've played around once with generating distortion using the 160A, which it did admirably, but I have 20+ OD units that are designed for doing the same thing. It's kinda like using a flat head screw driver as a fulcrum when you've got a pry bar sitting right next to you - why not just use the best tool?
I dunno, man... To each there own I guess, but dismissing all sub $2000 compressors as sounding bad for bass guitar is really silly.
My LA-2A clone will overdrive nicely if you hit the front end hard enough (just crank down the threshold (limit) control)...and someone recently when I was looking for a transparent/clean edge-of-breakup pedal suggested a certain compressor for that and I really decided I'd rather have a pedal designed for what I was trying to do than using something that has a quirk or side-effect that does it.
Also, my sub-400$ Origin Effects Cali 76 Compact Bass sounds wonderful enough that I've even used it comfortably in the studio with a 'golden ears' producer.