I play a
lot of different strings, spread out over (currently) 24 different basses. What are they - and why do I play them?
- One bass (MIK Rogue VB-100 violin bass) has Roto TruBass 88 Tapewounds on it. Why? Well Sir Paul has them on his Hofner, and I like that sound. Also; I've found that basses like this, with trapeze tailpieces and floating bridges, can be... fussy... about the strings that they'll intonate with; my VB-100 intonates perfectly with these strings. So, a win-win, AFAIC...
- One bass ('94 Gretsch Broadkaster) wears "short scale" TI Jazz Rounds. Why? Aside from the fact that they're about the nicest feeling rounds I've ever played, the TIJR's are the only strings I've tried on this bass, in the 16 or so years I've owned it, that didn't make it sound like a guitar, or a hippo fart in deep mud. The TI's make it sound like a bass guitar. Again, a win-win...

- As for the rest of my basses? Well, counting differences in gauge and scale length as "different strings", I have 15 different flatwounds spread over 22 different basses. Why? Well, I've been playing a bunch of basses, off and on, for over 50 years now; and, all of them had flats on them. I like flatwounds; a
lot. And, one thing I've learned in that time, is that different flats have as many differences in their tone as rounds do. So, I try to match the strings to the bass, to get the tone I want from that bass - for what I want to play on that bass. So, I'm currently using flats from La Bella; D'Addario; Ernie Ball; Thomastik-Infeld; GHS; Fender; Optima; Galli; Dogal; Rotosound; DR; and Sadowsky. My new German Hofner 500/2 wears it's factory Hofner strings. When they die? Pyramids, probably... The bass with D'Addario Chromes is the only bass that I
might re-string. I'm leaning towards Dunlop or SIT flats for that one. We'll see...
