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Double Bass What's your favorite seating arrangement?

Just curious about your preferences. The vast majority of concerts I've played, the section is relegated to the Stokowski "stage right" position (at times behind the celli; and at other times behind the second fiddles). I've never played stage left, although I think the natural inclination of the instrument and playing posture makes more sense that way.

A couple of seasons ago for the Verdi Requiem, our director placed us in the operatic or Vienna Phil style arrangement, in an elevated row across the back of the orchestra, behind the woodwinds, which I really loved—great head-on view of the conductor, and it gave the sense that we were washing the bass sounds over the whole orchestra. The downside is being distanced from the other strings. (On an earlier occasion, we were seated similarly, except behind the horns—with bells pointing right at us, blasting us the whole time. Hearing protection definitely required—terribly frustrating and fatiguing, and I hope not to be put in that arrangement ever again.)

What's your preference for seating arrangement in the orchestra?
 
It all depends on the hall and the size of the piece, but in general I prefer behind the violins. Downside is that horns can get thick sounding and make it hard to connect to the orchestra. Plus is a much better connection treble to bass in the strings for pitch, sound/articulation and timing.
 
did the idyllwild stringfest camp a few years back and we sat (starting left to right) 1sts, 2nds, celli, viola, with bass behind the cello and viola. and low brass was stage left. we had a epic viola section so it was awesome to get to hear them so well. the dark tones of the bass and viola blending that well sounded fat af
 
This thread caught my attention because I'm the staff photographer for the Los Angeles Lawyers Philharmonic. The bass section is always stage left behind the cellos. Here's their recent concert at Disney Hall in June.

MKW_8757.JPG