I studied with him around '73-74. I was a double bass major at Manhattan School of Music at the time, so he found it amusing that I wanted to study with him as well. As time went on, I used to do bass transcriptions for him in exchange for lessons. I wrote out (among others) What Is Hip, as well Joni Mitchell's "Car On a Hill" (from Court and Spark), as an exercise in reading odd meters. I remember he has an early 50's P bass, strung up with old flats of some kind. He loved how dead the low E was. Nice guy. Big on reading. He had stacks of charts and transcriptions. He would sign a bunch of them each week. BTW, at the time, he went by the name of "Ed Lord". Edward was his first name. I don't know where "Lord" came from. One day I asked him if he had ever heard of a bass player named "Doc Goldberg". He said he didn't know him. I had no idea that they were the same person. No idea what THAT was about!