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Who else did it?

two fingers

Opinionated blowhard. But not mad about it.
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Feb 7, 2005
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I recently started a thread about early Robert Palmer music. It has been a blast. Thank you to all who have contributed. Reading it, and checking out the linked songs has been fascinating.

Here's what really stands out about the guy. He seamlessly, and I mean SEAMLESSLY, navigated through a time of incredible changes in music, pop culture, fashion, etc.

He was right there in the thick of the early 70s when we were transitioning from unpolished Rock, protest music, psychedelic, roots rock into "guitar radio rock" like early stones, later Hendrix, etc. He had The Meters, some of the great soul players from NYC, some of the great studio soul/R&B greats, and other influences of the time collaborating on his projects and theirs. From Vineger Joe to his earliest solo stuff, he was "with it" for the times.

By the late 70s, Palmer was hip deep into new wave. He was working with the likes of Bowie and Talking Heads. And the music was as relevant as his earlier stuff.

Then, of course, there were his polished, ridiculously-well-produced, pop rock hits of the 80s.

And he sort of went back to his roots with later releases, but remained relevant.

OK, enough about him. The other thread is for that.

My question is this. Who else did that? I can only think of a few. I don't mean the kinds of acts that stuck to their original formula for decades and managed to stay with that one thing (like Allman Brothers, Aerosmith, etc.). I'm talking about artists/bands that completely reinvented themselves over and over again to remain relevant during an incredible period of change from the late 60s/early 70s to well into the 90s or even later.

Rod Stewart - Dude went from Stones style rock, to straight up disco, to pop, and even got kind of "rat pack revival" at one point. Always a fashion icon. Always in the thick of whatever was popular. He was always recording, touring, and collaborating with the who's who of talent.

All of the people associated with Genesis, including Genesis itself and all of their pet/solo projects. I watched a documentary on these guys. For a span of about thirty years there was a rare chart that didn't either have Genesis, or one of its original members, in the top 40.

David Bowie - Similar to Rod Stewart and Palmer in that he was always there in the middle of pop culture, fashion, and, of course, music. Always collaborating with others. In fact, he probably gets the award for contributing the most to other artists careers. He was always writing songs for other artists, having them join him on songs, and joining them on their projects, lending his name and influence to whatever they had going on.

There's a possible honorable mention nod for Paul McCartney. I think his relevance came and went more than the others on this list. Sure, he has always been an original Beatle, and that will carry him to the end. But, in my view, there were times when he just "wasn't there" as much as the others.... possibly even by choice. He did the Wings thing, a few 80s hits, including the Michael Jackson duos, and whatnot. I don't know. I could be dragged over the line to keeping him on the list. Convince me.

Who else did this? I'm ready to go down more rabbit holes. The Robert Palmer "thing" has been a lot of fun.

Again, we're talking only about artists who completely transformed their musical styles to roll with the changes. Just "sticking around" doing what you've always done doesn't count (not that it isn't a big deal.....just not the topic of this discussion).
 
I'm talking about artists/bands that completely reinvented themselves over and over again to remain relevant during an incredible period of change from the late 60s/early 70s to well into the 90s or even later.
You mentioned David Bowie, but he's the one that leaps immediately to mind for me when it comes to adaptation and (re)invention. Not just to the '90s, but beyond, and right up until the end. Everything new from him was something new.

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:angel:

Now then, if you want to go down some rabbit holes many folks don't know about, check out Stewart Copeland's solo work after the Police days. I've actually got The Rhythmatist album rolling in my headphones right now. :headphone: Stellar blend of rock/pop with African tribal elements and influences. Absolutely unlike anything else I've heard anyone do.

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Then, there's The Equalizer and Other Cliffhangers. Fantastic instrumentals and scoring work:

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:thumbsup:
 
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Elton John seems to still be out and about.
Interesting. I'm just wondering which category he falls under. He, like McCartney, it can be argued, never really transformed his musical style (other than the Beatles earlier transformationsas a band). Sure, it somewhat followed a few trends. But I wouldn't say, musically speaking, he (Elton) reinvented himself at any point. His "thing" is timeless. What he does has lasted while trends came and went. But it is what he does. Are there examples of Sir Elton's music that are a huge departure from what he's always done?
 
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All of the people associated with Genesis, including Genesis itself and all of their pet/solo projects. I watched a documentary on these guys. For a span of about thirty years there was a rare chart that didn't either have Genesis, or one of its original members, in the top 40.

I'm trying to figure out which thirty year span that could refer to. I'll be the first to admit I haven't paid particularly close attention to the Top 40 charts in the last 10 or even 20 years...but still, between Peter Gabriel's super-infrequent album output and Phil Collins' health issues, was anyone from the Genesis camp charting since the turn of the century? Or did that thirty year span start all the way back in the 1970s?
 
Absolutely! Thanks for posting it. That documentary had my jaw dropping through most of it. You just don't realize the catalog of smash hits born of that band until they're all presented to you at once. It's staggering. And they've all remained friends through it. That, in and of itself, is another accomplishment.
(It's actually a podcast. What's the documentary?)
 
I think almost any artist that has had longevity of say, more than 20-30 years, has had to morph with the times somewhat. Many are not content to just stay in a certain swim lane, some want to stay relevant to what "fans are liking" or some seem to reinvent themselves just for fun or to explore other genres. I think that generally that's easier for a solo artist than a band. But bands do it too.

Some have been mentioned here, here are some others that come to mind:
The Beatles
Tina Turner
Madonna
Taylor Swift
The Who
Chicago
Paul Simon

and adding to the list that didn't seem to do this:
Grateful Dead
James Taylor
Rolling Stones (IMO, excluding the side projects of members)
Alabama
Buddy Guy
 
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You can love him or hate him, but you can't deny him : Sir Cliff Richard!

He is not my cup of tea by any measure, but in my mother's eyes he can do no wrong - she was there when it all started in '58, has remained loyal ever since and has the vinyl to prove it.

Since 1958 he has sold over 250 million records - bettered only by The Beatles and Elvis;
He has had 130 separate UK chart appearances for singles, EP and Albums;
He had something in the UK chart in 6 consecutive decades - a milestone shared only with Elvis Presley;
He largely moved with the trends, although often (my opinion) missed the mark;

Etc., etc.,...