I have Nordstrand Big Splits, and an Aguilar OBP-3 in my 1990 Streamer Stage one V.
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I recently had the tech at my local Guitar Center install EMG's BQC-Controls in my 2000 Thumb 5 Bolt-on. I was going to have him install MEC's 3-band preamp, but he suggested EMG. His reasons were that the EMG preamp was substantially less expensive, quiet and offers more versatile tone shaping. WAS HE EVER SO ON THE MONEY!!!! THE DIFFERENCE IS BEYOND NIGHT AND DAY!! I HAVEN'T EVEN SCRATCHED THE SURFACE IN FINDING THE NUMBER OF TONES AVAILABLE!! The major features of the BQC-Controls are the variable mid control and the adjustable high frequency cross-over controls. I am still using the MEC pickups. Again, the transformation is beyond words!!
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Yeah, the EMG BQC looks like a great preamp to me. Extremely versatile. I'm getting one put in my Spector Euro as we speak.
I've often thought about putting one in my Thumb as well. Did it change the overall tone at all? For example, make it clearer, more/less articulate, more/lessresponsive, more/less nasal, more/less growl or did the overall tone of the bass stay the same but with way more eq options?
Did you have to drill a hole for a 4th pot?

I'd personally go with Barts in a fretless, much warmer and darker sound than EMGs. Unless you're after a Les Claypool kinda out-there-sound....how would barts sound in a warwick thumb NT fretless (bubinga full, ebony FB) with the MEC preamp? would i be better off with EMG?
I have Nordstrand Big Splits, and an Aguilar OBP-3 in my 1990 Streamer Stage one V.
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the barts may have liked going into my fretless passive instead. important to mention i play rock & blues.

ok been playing my thumb b.o. bubinga body w/ovankol wenge neck. ok just put in the 9CBJD1 deeptones & kept the mec active 2 band electronics. yes it gave my bass more controlled & lower bass & low mid-range depth & much quieter in the passive mode only. of course, i swapped active mec's w/active equalization for passive barts w/the original mec active equalization. what i lost was gain/volume, good highs-i tend to play very percussively (bang it more than slap), & in my case a very discernible loss reduction in growl! my suggestion is anyone that has mec's & likes them-don't fix it if it ain't broken! if i hadn't lost growl i could accept trading off my better sounding mec highs. by the when i checked it out i put the same slightly used ss strings.
for the barts very dark but astounding deep bass & midrange fullness. also, if, i did it again i'd probably have gone for the high tone classics instead of the deeptone ones. however, the loss of the growl is extremely hard to live with & i'm seriously contemplating going back to the mec's.the barts may have liked going into my fretless passive instead. important to mention i play rock & blues.
let you know my thoughts asap on the nordy nj4's in my passive fretless corvette.