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Who supplies the D.I.?

Wha????????. What kind of soundguy is that...hired from a local temp agency for a one off??????
The Crack house? The worst part was the guy used to roadie for us back in the day and was acting like I'm his long lost buddy. How embarrassing, plus I had to help him eq the snare for the opening act. This was an eight band festival with $60 tickets. The business card he gave me looked professional. Sure haven't seen him out mixing sound since.....
 
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The Crack house? The worst part was the guy used to roadie for us back in the day and was acting like I'm his long lost buddy. How embarrassing, plus I had to help him eq the snare for the opening act. This was an eight band festival with $60 tickets. The business card he gave me looked professional. Sure haven't seen him out mixing sound since.....
Next time you can cut some small Ivory soap squares, put em in a small plastic baggie and dangle it in front of him...tel him "do good and you'll get what you deserve...".
Too funny..... And horrible.....and did I mention funny????:thumbsup:
 
I seem to have accrued DIs over the years so I always have my own. All my amps have DI out too, so there's an embarrassment of riches in that area.
I have my ToneBone, a REDDI, there's always a handful of Radial ProDIs kicking around too (those are dirt cheap and do a decent job, I'd buy one if I were you and have it on hand just in case).
 
Next time you can cut some small Ivory soap squares, put em in a small plastic baggie and dangle it in front of him...tel him "do good and you'll get what you deserve...".
Too funny..... And horrible.....and did I mention funny????:thumbsup:
He said "I never bring xlrs cuz the bands try to steal em." To bring it back around to the thread, there were enough well prepared pros there we were able to cobble together a complete sound system and backline, including using my direct boxes. Actually sounded good on stage and out front. Be prepared!
 
I am in league with all of the others on live gigs, usually the house will have a DI that the soundfolkie prefers, or they might take the DI from my amp GK MB500 (never had any problems) or if they need one I have a decent passive DI on my pedal board. I will sometimes also carry my preferred mic, CAD KBM412, depending on the gig. Word to the wise if you do decide on taking something cool be sure it is marked so you don't have to fight with the soundie, lesson learned the hard way, my Type 85 is engraved.
 
When do you feel it's up to the bassist (or not up to the bassist) to supply the D.I. box for his signal?

I have one built in to my amp, and one in my bag. I never have to "hope" the soundguy has one.

This.

You should always be prepared, you want to be heard, you need to make sure you have the tools to do it.

Assume the sound guy has nothing, and you'll always be prepared.
 
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I would assume that you should always have a DI on hand, unless you know for sure otherwise. Even then, you should bring your own because the one they provide might be crap or not work at all. One of my gigs is a church gig that provides a DI, but I always bring mine anyway. They're small and nothing to throw in your bag. Like others have said, don't leave home without one.
 
Just like my MasterCard, I never leave home without it. Karl Malden would be proud.
Even Roger Daltrey knew Karl wanted you to have an American Express card.

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However, after all the years of guff and crap I heard about "My Sound" (oh, that magic sound that's hitting the back of your knees?), I gave up. You want the PA line from your head? You got it. No argument from me anymore. Bigger battles to deal with than "My Sound".

EDIT: DISCLAIMER: this post is meant in a tongue-in-cheek spirit and should not be taken seriously as an angry rant, although the points are meant to be valid.

most of your post is spot-on, but i disagree with this. i didn't put in decades of learning and adjusting and thousands of dollars getting the sound i want to hear just to run a dry signal from my bass to FOH EQed by some dipsh1t half-deaf sound guy who can't tell 1K from 10K. i know how to set gain stages. you're taking the DI feed *i* give you, taken *after* my effects and preamp at a minimum and if you're a jerk about it i'll mic my cabs as well. EQ it for your hall and your rig, OK, that's fine, but otherwise it's going to be the way *i* want it. 70% of the time i can run sound better than the hall's hired hack anyway.

plus i'm also going to come out to your desk while i'm playing (wireless FTW!) and twiddle the knobs if i don't like it! ;-)
 
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