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Who's sound were you aiming for?!

For P Bass, it's gotta be James Jamerson's gritty lo-fi tone.



Or a nice round tone like Duck Dunn



A more modern take on a P sound.



For J Bass, John Paul Jones, the very definition of punchy to my ears.



A modern punchy sound.



For Hofner, Paul McCartney.



This is a more recent take on the classic McCartney Hofner tone. The producer hangs out in one of the recording forums, which is how I learned about this song's bass tone.

 
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My white whales have always been two unique 6 string tones. John Patitucci's early Ken Smith tone, and Todd Johnson's Zon 6 string tone. I have yet to come close to either, but they represent perfection to me in bass guitar sound.



 
I've never really chased a sound. I know what I like when I hear it and try to play instruments that give me what I want. I don't particularly care what instrument x player is playing on x record because, really, after all of the sonic adjustments that are typically made in a studio it hardly matters. And what works in the studio won't necessarily work in a live setting (which is where I do most of my playing). Never been very interested in pedals (although I have checked out a bunch over the years).
 
Larry Graham. After seeing him in concert in the late 70s (I'm old), I was so blown away by the way his Jazz bass sounded. I never heard anything like it before or after. He doesn't sound like that anymore. His tone was all ass and glass. When he'd hit an open E, it felt like someone punching you in the chest. I still get chilly bumps thinking about it.

Oh...and Bootsy and his Mu-tron III.
 
When I first started playing I gravitated to the sounds of Steve Harris and Geezer Butler, and a few others, but mostly P-bass players. So it was really a natural progression for me to buy a P-Bass of my own to get that sound in my head; the thing I like about these P-bass players is that they all sound like they're playing a P, but they all sound so different. Thus, finding the sound in my head progressed into making my P tone MY OWN P tone while still undeniably having that characteristic Fender Precision sound. It also helps that this sound works for everything, especially if you change up your playing technique and fine-tune your EQ to meet the specifics.
 
When I first started playing I gravitated to the sounds of Steve Harris and Geezer Butler, and a few others, but mostly P-bass players. So it was really a natural progression for me to buy a P-Bass of my own to get that sound in my head; the thing I like about these P-bass players is that they all sound like they're playing a P, but they all sound so different. Thus, finding the sound in my head progressed into making my P tone MY OWN P tone while still undeniably having that characteristic Fender Precision sound. It also helps that this sound works for everything, especially if you change up your playing technique and fine-tune your EQ to meet the specifics.
One of the best compliments I ever had when I sent a song I played on to a friend was "I recognize your sound" ... My own sound on a stingray ;)
 
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