Yes, but not without the magic of the Producer switch.Lee Sklar’s bass with EMG P pickups seemed to fit in alright ;-)
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Yes, but not without the magic of the Producer switch.Lee Sklar’s bass with EMG P pickups seemed to fit in alright ;-)
I think you’re bang on : these pickups with another preamp sounds like a winning combination IMO.Sucks that you had that experience. That's surprising to me. I've had them in something like 12 basses over the past 30 years. I've also tried swapping multiple models to find the combinations that worked best for me and I've gotten rid of more HZs than I can count (they're just not my thing), so I'd say I've been through at least 40 active pickups. Still have 9 of those basses today. I'm not the biggest fan of their preamps as I think they can be a little harsh, but the pickups themselves have been excellent and I have a few go to combinations if I'm doing a pickup swap on an instrument depending on what tone I'm going for.
I`ve got Geezers in my mid-80`s Fender P, strung with flatwounds. I love `em!Don't they make the Geezers? Those get plenty of love around here.
You can laugh, but I had my active bass 9v die on a gig once. I had to play my backup for 3 songs because my tone was slightly distorted. MY BACKUP! Oh the humanity. Then I had to spend another 3 minutes on set break changing the battery. This tragedy could happen to anyone playing EMG, you've been warned.A lot of old fogies here are stuck in their ways and are afraid of 9V batteries dying on them mid gig.
Yup. I remember in the mid-eighties every other guy had a bass loaded with EMG's running through a GK800 RB and a Hartke 410. I had that rig for a while.
There are just a lot more choices nowadays - Nordstrand has sooo many great options now. EMG's are great, but I also kinda look at them as old news.I very rarely see them recommended on this forum when folks are asking about pickup options. Am I missing it? Do you see them being often highly recommended? Are you seeing a lot of basses being modded with EMG's?
I very rarely see them recommended on this forum when folks are asking about pickup options. Am I missing it? Do you see them being often highly recommended? Are you seeing a lot of basses being modded with EMG's?
It's what producers and mix engineers are for. The magic "Producer switch" is present on every instrument and vocal track on every recording. NO bass on a recording appears on a final mix without EQ and compression added by the mix engineer at the very minimum. But the best recordings begin with great sounding tracks. And EMG actives are noise free...even their single coil jazz bass pickups. Recording and mix engineers love that.Yes, but not without the magic of the Producer switch.
I don't think you're aware of what the "Producers Switch" is.It's what producers and mix engineers are for. The magic "Producer switch" is present on every instrument and vocal track on every recording. NO bass on a recording appears on a final mix without EQ and compression added by the mix engineer at the very minimum. But the best recordings begin with great sounding tracks. And EMG actives are noise free...even their single coil jazz bass pickups. Recording and mix engineers love that.
This forum is full of "passive only" "P bass only" "4 strings only" etc etc.I very rarely see them recommended on this forum when folks are asking about pickup options. Am I missing it? Do you see them being often highly recommended? Are you seeing a lot of basses being modded with EMG's?
I'd wager that there's a bunch of music recorded with EMG's that folks think is a purely passive bass.This forum is full of "passive only" "P bass only" "4 strings only" etc etc.
There are a whole bunch of ears that are used to the old school that don't like the EMG sound.
How did it sound?
I used to tour in the late 80s with a P/J P bass with EMGs, an 800rb and an Ampeg 810. That rig sure bought the thunder!