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I think a just as fun topic is "Why did you keep playing bass?"
What really got me hooked was what the bass guitar does to a song. Not that guitar or drums or any other instrument can't have a similar major impact... but just liked "how" the bass impacted a song. It really wasn't until I started playing bass that a developed a profound respect for what bass does to the overall sound. I will admit, when a bassist does NOTHING but shadow the guitar... it is wildly underwhelming. ...but there's a place for that too.
I have found that, as a bassist, I can provide the "motor" to the song that, to my ears, I can't do as well with guitar.
Everyone will have their take and their own colorful terms for what this or that instrument does. ...but, for me, in car terms, the drums provide the body style, the guitars provide the paint and trim, the bass provides the motor... and the singer is the jackass behind the wheel that can ruin it all by sucking even a little bit. THAT is the worst job in the band in my opinion.
Anyways... back on the topic that started off with....
When I started to open my ears to bass, I started to hear things that amazed me about the instrument that I had sadly thought was the graveyard for failed guitarists. Even though I had listened to Led Zeppelin, Black Sabbath, and Rush since a child (thanks mom!), it just never clicked for me how the bassist was driving the tune.
One day, I was listening to Anthrax in the late 80's or early 90's when their Persistence of Time album came out (like you would) and their cover of Got The Time by Joe Jackson came up. Not that their hadn't been prominent bass lines before that tune... this was the first one I heard where I realized that this was a BASS doing this. It would be a couple of years yet before I'd start playing bass, but the seed was planted. Then all of a sudden, all I heard was bass. Led Zep, Rush, Black Sabbath, Metallica, Suicidal Tendencies, Primus... they all started to sound different.
When I learned Ramble On on my then-girlfriend's bass, I was sold. Over the years, I would experiment more with basses and gear in a year than I would over a decade on guitar generally speaking.
The band I play with, there's this tune that, funny enough, I helped write but I never appeared on a recording for. I would end up moving to Las Vegas for a bit before the recording happened. The tune, as I wrote it has equal parts reggae inspired grooves, a slight Misfits feel in places, a fill lick a'la Cliff Burton, a breakdown that almost has a Justin Chancellor touch, and the main verse almost has a Lemmy-feeling drive in it. When it was recorded with another "bassist", he literally just played the guitar parts. It was sad. Even the band hated it. Now that I am back, we are making it a point to record it with the proper bass line. The bass can change everything.

Robert kills. I'm just learning some STP now....band is adding Plush, Wicked Garden and Vasoline to our repertoire. Amazing tone and great lines. The way he holds it like an upright...not so much, LOLMy buddy had a drum set. My other buddy bought a guitar. I got a bass 2 months later. We were 14. Also, Robert DeLeo from STP—he was so smooth in his style.
Loved that hat. The album was awesome too!
I did not know that.You know that bass player just passed away a few days ago. Larry Taylor.
oh, totally! Billy Gould killed it. Not only were his bass lines killer, his tone was REALLY killer. I can only assume you mean Eric Avery from Jane's Addiction. I was maybe what you'd call a pedestrian fan of Jane's Addiction. I liked the tunes I heard, I just never went out of my way to listen to them. ...however, Eric Avery had a VERY cool quality to his bass lines that was pretty uncommon for bass at the time. ...to be fair, though, anything not shadowing a guitar's root notes was uncommon at the time. That being said, his bass approach had a very cool "noodling at home by your self" quality to them that I found pretty awesome. He had some solo-arrangment-for-guitar device usage I still dig on.That cover of "Got The Time" was big for me, too. I was a big Anthrax fan at the time, and when I first heard that track, I was blown away. I'd never heard anything with the bass up front in the mix like that.
But for me, the really big one was "The Real Thing" by Faith No More. I'd been playing a few years already by the time that record came out, and when I first heard it, I thought "wait...that's bass? I didn't know it could sound like that!" Billy Gould became a huge influence on my playing, and I still listen to that record every now and then.
Oh, and don't get me started on Jane's Addiction. Also huge for me. None of these bands started me playing bass, but they definitely kept me playing it.
oh, totally! Billy Gould killed it. Not only were his bass lines killer, his tone was REALLY killer. I can only assume you mean Eric Avery from Jane's Addiction. I was maybe what you'd call a pedestrian fan of Jane's Addiction. I liked the tunes I heard, I just never went out of my way to listen to them. ...however, Eric Avery had a VERY cool quality to his bass lines that was pretty uncommon for bass at the time. ...to be fair, though, anything not shadowing a guitar's root notes was uncommon at the time. That being said, his bass approach had a very cool "noodling at home by your self" quality to them that I found pretty awesome. He had some solo-arrangment-for-guitar device usage I still dig on.
...and that bass line to Been Caught Stealing during the bit where the bass plays alone with the drums has fantastic groove and grit to it. I am not one of those that gets inspired by a musician's body of work but more "this thing this person did here in this song" and "what this other person did there in that song". Even though I don't think I've ever played a line that could be mistaken as directly inspired by that bass groove, it is in probably 75% of every bass line I play. Just such a killer feel.
When I was in jr high I started playing bass because one note at a time made sense to me. I had played alto sax in elementary school and couldn't wrap my head around the idea of mentally processing up to 6 notes at a time to play chords. I hadn't considered chords as shapes and that you didn't necessarily need to know the names of every note you were playing at all times.
My wonderful wife bought me one for Christmas. Sometimes I think she's sorry she did! Lol.In my case, I wanted to entertain. But, I found I was less skilled in anything else.
I actually got away with it...for a while...