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Why isn't Ashdown popular?

To defend JimmyM, he was a vocal Ampeg supporter years before he got that endorsement. I believe the reason he got the endorsement was his unasked-for support of Ampeg products here and elsewhere.

Ampeg is the gold standard of bass amps for a reason.

Wait a minute... are you saying JimmyM is playing Ampeg now:eek: I had no idea! I hope he isn't stuck with one of those all tube models (can't remember what they are called... B-17's or something, and the bigger one... SUV or something like that).











:D
 
Um, actually, yes, Ampeg does make the "best" amps. Just like with Fender basses, everyone who doesn't like to use them tries to explain away their continued popularity over the decades by saying they're "widespread" and in a lot of stores. And why do you think they're in a lot of stores? Because people like them enough to buy them. If people weren't still buying them in droves, no store would carry them regardless of their history.

:eyebrow:

This is akin to saying Eminem is the best singer because he sold the most records. And we all know that aint' true.
 
The first big player and some good advertising being one of the reason. Then get a lot of big names using your product and bassists see and hear their icons using that equipment and want to follow in their footsteps.

There certainly is no "best" when it comes to something that's subjective.

I wouldn't say Ampeg is the most common in the UK, but I certainly like 'em :smug:

Sure there was good marketing and endorsements, but it's still great gear.

When I used Ampeg I plugged in and got a solid sound straight away. Partly that's because they defined the sound by being on seminal recordings, but it's still true. And fwiw, same with my Fender Precision. Not spectacular, but absolutely perfect in a certain context.

I don't own Ampeg, and I own other basses besides my Precision, but credit where it's due....
 
Satisfaction is by nature an individual thing - I am very happy with the tonal variety and features of my UK-made RPM-1 preamp, but it may not be all that for someone else. I notice Ashdown gear on many stages, behind artists of all genre(s) so there are plenty of others who liked it and were sold at least once.

I was in a local music store just the other day and was pleasantly shocked to see an Ashdown banner, so there is some marketing effort being made. But that effort is apparently weak - the only actual product I could find was a single pedal. If someone walked in saying, "I'm looking for a bass amp," there is no way Ashdown will be represented and therefore no possiblity of a sale. As a customer I have no way of knowing where the breakdown is, I only know what I have the opportunity to buy. In Northeast Tennessee it isn't Ashdown, at least not in this store.
 
Guitar Resurrection carries Ashdown here. Austin Basstraders is a out-of-the-house operation that deals in boutique stuff some other guys don't but yeah, the best music store here is Craigslist. That Custom shop or whatever it is down the sidewalk from Ray Hennings usually has some pretty good quality old, classic basses and other instruments but they seem to think their stuff is made of gold. Some of that same stuff will still be hanging on the wall when I die.

I always forget about Guitar Rez. Never heard of Austin Basstraders... but I will be checking it out (thanks for the tip). Austin Vintage is one of my favorite shops in town,,, but ya it's pricy. They have great basses, but the amps department is lacking... at least for bass players.
+1 on austin CL.
 
I had 2 ABM 500's...still have an ABM500 410 combo...good stuff. They sound pretty good to me...mine is about 10 years old or more...at least 500 gigs on it and still sounds nice. Once their endorsement policies got nutty, I jumped ship, and am much happier, but I had no real complaints
 
I always forget about Guitar Rez. Never heard of Austin Basstraders... but I will be checking it out (thanks for the tip). Austin Vintage is one of my favorite shops in town,,, but ya it's pricy. They have great basses, but the amps department is lacking... at least for bass players.
+1 on austin CL.

I think the Basstraders guy still works out of his house, have to make an appointment or something. Deals in pretty much highend stuff, Glockenclang, Fodera, Ken Smith, Tecamp, bunch of other stuff.

Link Removed

Never dealt with him, just puttin' that out there. Seems to get good remarks though.
 
I always forget about Guitar Rez. Never heard of Austin Basstraders... but I will be checking it out (thanks for the tip). Austin Vintage is one of my favorite shops in town,,, but ya it's pricy. They have great basses, but the amps department is lacking... at least for bass players.
+1 on austin CL.

Austin Vintage Guitars, that's it. Ya, not much for bass amps in there but a ton of cool instruments. I did buy a poweramp there once but even that was a CL deal. Guy just happened to work there or had a friend that did or something. I never even met him, he just left it there for me to check out, pick up and I gave the money to his boss...or whoever that was. Had I bought it from the store it would've likely cost me 3x that much.:p
 
Ken before the reliability issues ever came up Ashdown wasn't that warmly welcomed in the states to begin with and a lot had to do with the fact that is was a not made in USA product . And when the reliability issues came up it didn't help a brand that already had a slight prejudice towards it to begin with.


And we know how the USA waves the made in USA flag so strong in your face that people seem to think that the USA is the only country making anything, especially anything of quality.

Trace Elliot and certainly Marshall did ok...
 
Trace Elliot and certainly Marshall did ok...



The last time Trace Elliot did any thing significant in the states was when they first came out and that ended when TE was sold. After that and even to this day TE in the states is far more scarce/elusive than the Ashdown brand is in the US..

And Marshall hasn't been relevant to the bass market in the state in almost 20 years. Even more scarce/elusive than Ashdown and TE combined.


I used TE in the 80's and loved the sound.
 
The last time Trace Elliot did any thing significant in the states was when they first came out and that ended when TE was sold. After that and even to this day TE in the states is far more scarce/elusive than the Ashdown brand is in the US..

And Marshall hasn't been relevant to the bass market in the state in almost 20 years. Even more scarce/elusive than Ashdown and TE combined.


I used TE in the 80's and loved the sound.

True - emphasis on the word "did" ;-)

Was thinking more of Marshall as a g****r brand.
 
Had Trace not sold out to the kiss of death for good brands known as Gibson (to be fair, how was anyone to know? Gibson was making killer stuff under their own name at the time), I think they'd still be right up there.

But I think Captain's point was that other foreign countries have no problem selling to musicians in America. I don't see Markbass struggling too hard to sell stuff. Nor do I see brands that are made in China struggling as long as they make products that people over here like. I really don't think it's being foreign that's caused Ashdown's lack of recognition in America. I think it's higher pricing combined with some newer products that weren't setting the world on fire. Maybe the Kentucky factory will help them make stuff cheaper in this market and expand their market. Kind of weird that our country is now being viewed as a place to outsource labor, but I guess all that stuff is cyclical, isn't it?
 
The not made in USA did play a part in the popularity of Ashdown in the states. That has been changing in the last 6-8 years with the influx(a mild one) of other none USA offered brands and Ashdown is slowly getting where it fits.

And there was a time for a while in the late 90's early 2K's when Ashdown wasn't even in the states because they could not find a north American distributor that could do for them what was so urgently needed.
 

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