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This has been my experience as well.Well from personal experience, I currently own one of the older Fiesta Red Squier CV 60s P with Rosewood and these sold new for like $279. Now, if you can actually find one in that era you are looking at $400+, and even higher in some cases. So that should tell you something. Mine is a diamond in the rough and I love it.
Well from personal experience, I currently own one of the older Fiesta Red Squier CV 60s P with Rosewood and these sold new for like $279. Now, if you can actually find one in that era you are looking at $400+, and even higher in some cases. So that should tell you something. Mine is a diamond in the rough and I love it.
I agree. I got very lucky as well. Mine is in like-new condition (because I baby it) and I have the super rare Fender Vintage 58 pickup in it which adds some stellar highs/high mids that I was in need of. Amongst my 4 basses I would actually keep this if given a choice of one. And I own a RW 60s Jazz and a Steinberger XL2.I have a sonic blue one from the original Chinese run that Squier did and mine is also a diamond in the rough. I got it off TB in their first year of production for $300. The previous owner tricked it out big time with a Seymour Duncan Antiquity II pickup, USA pots, orange drop cap and a Fender AVRI tortoise shell pickguard. In addition, he'd had the frets leveled & polished, sold it strung with a stellar set of Sadowsky flats and shipped it in a nice hard shell case. I ended up replacing the stock bridge with a Gotoh 201 because I didn't like the extra 1/8" overall string spread that the stock bridge gave it. I would put my totally tricked out Squier CV 60's P up there with most non-boutique Ps out there. However, it is heavily modified and I certainly did see some horrid ones on the racks when they first came out so I'd be hesitant to make any blanket statements about them.
There were some significant changes. Rosewood fingerboard, different neck profile, different voicing of pickups. Some of the changes happened right at the end of the 50's like the tortoiseshell guard.
Lol - Jamerson...IMHO, not a heck of a lot happened with the Precision during that decade. The '60s was all about the introduction of the "Deluxe," which soon became rebranded as the Jazz Bass.
Classic Vibe 60s for the win!Just picked up one of the CV Squier basses to replace my old (sold) 68 put on a set of Dunlop flats and I'm ready to blues. My guess is between the CV and the US model Fender didn't see the need/market, I know the CV works for me that from someone who had my 68 for 25 years.
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Except for the neck profile, fretboard radius, fret size, tuners, pickups, pots, cap, and finish, sure.Because you can slap a tort pickguard on a sunburst Player and bam.. MIM 60s reissue.
I would put my totally tricked out Squier CV 60's P up there with most non-boutique Ps out there.
It's a good question - there's been AVRI 57s and 58s, 62s and 63s, American Original 50s and 60s, Squier Classic Vibe 50s (single coil) and 60s, and Classic/Roadworn/Vintera 50s and no 60s. It isn't the Pau Ferro thing, as there'd have been a Classic 60s P in that case, as the Classic series was made before the CITES ban on rosewood. It isn't trying to push buyers up to the MIAs, or they wouldn't bother doing a 50s model, or the Classic Vibes. I also want to know the answer!I wonder why Fender has no Mexican-made 60's Precision Bass. There is the Squier Classic Vibe, and your next option is the American Original. No Vintera. Used to be the same with the Classic Series. Any idea why?
Tell that to the MexicansMexico didn't exists until 2016.