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Why play a four string?

I really don’t have anything new to add, but I’m just a big fan of the original Fender bass platforms, and never really got into their 5-string offerings. I have had a couple mid-budget 5-strings before. They played great, and I got some good use out of them. They both sounded great for recording, but ironically, it was that sterile, soapbar, active electronics sound that I just didn’t vibe with.
All that said, I’ve finally came around on Fender’s 5-string Jazz. When the right one comes along (4+1 head) hoping I’ll have the means to grab it.
 
I really don’t have anything new to add, but I’m just a big fan of the original Fender bass platforms, and never really got into their 5-string offerings. I have had a couple mid-budget 5-strings before. They played great, and I got some good use out of them. They both sounded great for recording, but ironically, it was that sterile, soapbar, active electronics sound that I just didn’t vibe with.
All that said, I’ve finally came around on Fender’s 5-string Jazz. When the right one comes along (4+1 head) hoping I’ll have the means to grab it.

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There ya go. My Fender American Pro V’s.

All passive.
 
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I have an occasional gig with a "party rock" cover band. The music is pretty mindless actually. Same set, same order every show.

5 string basses feel like home to me, but at one point I realized that "Uptown Funk" was the only song in four sets of book with this band where I played any notes on the B, unless I went out of my way to ride the low B in the final verse of "Working For The Weekend," went down instead of up for the 3rd in "Let's Get It On," or something else that wasn't really necessary.

So I started taking my 4-string P to those gigs. And stated liking playing it. It's an easy instrument to play; easier than playing a 5-string all night just to keep the B muted 99.5% of the time.

Summary - that is a gig where the 4 makes the most sense, so I take the 4 to that gig.

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Wow this is one of most reiterated sentences on talkbass.

First none of you are Jaco.
Even he tried out a five, the extremely poorly designed Fender Bass V.
Had he still been alive he would most likely included extended range instruments as they improved.
His son plays a six, and you don't hear him say "dad only needed four".
I assume fcleff was being ironic. This is a trope on Talkbass but at this point I feel people say it merely to perpetuate the trope and not because they believe it. Clearly, Jaco was an innovative and charismatic player who would do anything he needed to in order to differentiate himself and his playing.

Erwin "Cannonball" Baker never needed power steering, but he died in 1960 before it was widely used. It would have made him a better driver had he lived to experience it.
 
Thinking out loud doesn't interest me in the least other than the fact that the title of this post was almost trollish. How wonderful for you.

And how do you determine a post is a “troll” posting?

Aren’t all postings troll post?

Aren’t troll postings designed to elicit a reaction from people that read them?

Then I guess every posting is a troll post!
 
I see your point, and that's probably true for basses in Fender's price range. But when I look at the higher-end builders (e.g. MTD, Sadowsky, Fodera, AC), it seems like there are far fewer 4's available than there are 5's & 6's. (Sadowsky seems to offer more 4's than, say, MTD or Fodera, but that's probably true of many builders that have based their product on the Fender designs. There's always a market for straight up Jazz and P basses.)
Yes, I’ve no problem finding 5-strings to love. But there isn’t much in the way of hollow bodies or acoustics, or unique instruments like Danos, Sereks, Oranges, etc., and colors!
 
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