Cheap basses, YouTube videos, a straight edge, and a fist full of files. That's how I roll 
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Yep. For what they charge, 7ender ought to be pleking at the factory. Last bass I bought from them about ten years ago, had fret issues galore.I have 2 Fender American Pro jazz necks. One of these needed a plek. The other one was perfect. I have a Player Jazz neck which needed a plek. I have an American Standard jazz neck which needed a plek. The Pro jazz neck that needed a Plek is on a roasted pine jazz bass which I recently picked up in a trade. All my other Fender jazz necks are on Fender P bodies. I have a Peavey Foundation that has perfect frets from the factory. Fender bass guitars under 2000 dollars many times needing a plek has been my experience. I wish Fender would Plek necks at the factory but that is not happening...
I can understand maybe getting a 500 bass Plekd. But then you could take that extra money for the Plek job, put it with the 500, and buy a $750 bass. So it makes no sense to me to Plek a brand new $500 bass.
So what about an $1800 bass? For $1800 bucks, the bass better not need a Plek job, IMO.
So what are your thoughts? Opinions?
I bought a new bass from a music store for $1500. When I got it played fine burst I really wanted the action quite a bit lower so I returned it. I spoke with Sweetwater about it and they said with a Plek they could get the action very low with no fret buzz.I can understand maybe getting a 500 bass Plekd. But then you could take that extra money for the Plek job, put it with the 500, and buy a $750 bass. So it makes no sense to me to Plek a brand new $500 bass.
So what about an $1800 bass? For $1800 bucks, the bass better not need a Plek job, IMO.
So what are your thoughts? Opinions?
I can understand maybe getting a 500 bass Plekd. But then you could take that extra money for the Plek job, put it with the 500, and buy a $750 bass. So it makes no sense to me to Plek a brand new $500 bass.
FWIW, Gibson still pleks all their basses.

No exactly, a setup is equal to adjusting the height of the saddle and handlebar, and inflating the tires, on a new bicycle, to fit your personal preferences, size and weight, which only requires a few simple tools, and adjustments that the bike is totally made with in mind, a plek would be equal to having to fix broken gears on a new bike.Why get a setup?
Same reason to get a plek.
Totally get your point of view. But Lutherie is a dying art. InA decent luthier doesn't need one. I have done my fret levelling under string tension for years but i don't own a plek.
I have six Gibsons. No qualms about finishes on mine. But I have seen a couple that never should have shipped. I love the smell of nitro in the morning.Now if they could figure out how to get rid of finish flaws…![]()
No exactly, a setup is equal to adjusting the height of the saddle and handlebar, and inflating the tires, on a new bicycle, to fit your personal preferences, size and weight, which only requires a few simple tools, and adjustments that the bike is totally made with in mind, a plek would be equal to having to fix broken gears on a new bike.
It not a simple setup, it is physically modifying the bass, removing material, or in other words a repair, that should not be necessary on a new bass, as far as I am concerned.I don't think this analogy works. Maybe a setup doesn't include fret level and crown at most places, but that's pretty much what happens on a plek. Setup with fret level and crown. And with new guitars/basses a setup and if needed a fret level and crown is good.
Nothing is getting "fixed" on a setup or on a plek. If there are problems with the instrument, they'd probably have to be separate fix. Loose fret, bent tuning key, loose connection, or poor jack etc. would be fix broken gears on a new bike.
Some necks can not be plek'd as for example a twist too great or a ski slope too steep.Most necks are wood. And change with age and climate. Most manufacturers can’t afford to age wood for years on end. It’s incredibly costly to buy and store and properly maintain a warehouse full of wood. Imagine the cost of any major manufacturer having to buy and store and season 5 years worth of neck blanks until they are perfectly stable.
Once machines and fretted that neck leaves the climate controlled environment and moves to wherever. Where it’s subjected to all sorts of climate change.
It’s gonna move. No manufacturer can account for what happens after it leaves the shop. No manufacturer knows your setup preferences. It’s about getting it to you so you can dial it in to what you like.
1800 is by no means cheap. It should not come out of the case full of buzzes and rattles. But the acclimation process starts the second it’s left the shipping dock. And continues until it’s reached its destination. And then continues.
Ideally all instruments should be fretted and then leveled under tension and use well seasoned wood. Thats not the reality of MI manufacturing. Once that case is latched and it goes into a shipping box it’s on its own forever after. And nature will take its course.
A skilled luthier can dial in a setup to someone’s personal preference. But even then it’s important to realize you can only achieve what the neck is going to give you at that particular time.
This is the beauty of an older instrument that’s settled in. They tend to be more stable and while the relief may change seasonally they tend to hold their setup year after year.
A plek on a new instrument can help immensely by getting things perfect. Again. At that particular moment. The machines themselves are incredibly expensive so the cost of the service reflects that. And the fret grinding aspect is just the start. You still need to pay for setup fees.
Only the largest manufacturers can afford these machines and maintaining them and training personal. So even large companies with big budgets need to include this in the final cost. Nothing is free.
Now whether it’s more cost effective to buy a cheaper or less expensive instrument and have it plekked vs buying a more expensive instrument and expecting more and hopefully getting that. Thats up to the player.
Luthiers. Skilled ones do not work for free or cheap either. And instruments change over time until they really settle in. That takes time.
Just because it’s plekked today doesn’t mean that 5 years down the road as it ages things might not shift slightly.
A better question is. What is it worth to have an optimal set up? Today.
The system does work. And it gives a good baseline for the future.
If your picky its an investment in your own happiness. What’s that worth? It’s also not going to necessarily add any if much resale value unless someone likes your exact setup. But of course a bass that plays well is a much easier sell.
Even the most boutique small builder can’t control what happens once the instrument leaves the shop. Regardless of cost.
Woods gonna do what woods gonna do.
It’s about expectations vs cost vs benefit.
Something only the player can decide.
It's necessary on every new bass. You either pay the manufacturer to do it, pay a tech after you've bought it, or you do it yourself. Any of the ways, every new bass needs it.should not be necessary on a new bass, as far as I am concerned.